Something that has been keeping me from enjoying kpop recently


  • So something that has been bothering me a lot is how fabricated kpop is, how fans just accept this. You'd imagine the music is due to the idols' themselves but it really isn't..


    I'm not some extremist indie stan either. Not every group can be self-produced, self-this, self-that


    But if you look at western artists that don't write OR produce, they still sit down with the producers, writers, MV directors, etc, to establish what they wanna do


    This doesn't happen in kpop. In kpop, the staff are contacted by the company, get their cash and move on to another production


    Fans ARE conscious of this but decide to ignore it... when it benefits them. If they don't like a song, a concept, or choreo, it's on the company, not the idol's fault.


    But the music is good? Then the idol is responsible for that, and they get the credit, in THAT circumstance. I don't think that's how it works:pepe-narrow-eyes:


    Blackpink have proven that they decide stuff even about the MVs, yet their fanbase STILL blames their bad songs or lyrics on Teddy and YG


    For some reason it's also become weird (for me) to call RV's discography the best. It's true, they do good music, and by them we mean the people who were actually involved in the music.... right? Like, has RV ever said they had the idea of X thing? That they wanted X and Y producers to work with them?.... :pepe-no-sign:



    "Wow, LOONA's discography is so nice, talking about meaningful things and including people from all around the world.... Oh... It's just a marketing tactic by Blockberry..." :| And are we really ingenious enough to believe that twelve trainees in one group will want the same music, same concepts, even the same messages?


    So at one point songs like Butterfly and New started losing their appeal (for me) because that whole "be yourself, spread your wings, something something" isn't genuine


    Kpop idols aren't artists like they're constantly called. I respect their hard work as performers, but I won't credit someone for something they haven't done


    Well I don't wanna end this thread complaining so I'll say that I respect BP, Mamamoo and Purple Kiss for actually contributing to their music. Like it's the minimum requirement for someone in the music industry to say what they wanna do with... their music :huuh:

    out of service

  • But if you look at western artists that don't write OR produce, they still sit down with the producers, writers, MV directors, etc, to establish what they wanna do


    This doesn't happen in kpop. In kpop, the staff are contacted by the company, get their cash and move on to another production

    but how do we know that it's that way for all groups

    there are a lot (more each generation and as the groups themselves mature) self-producing or groups that write their own lyrics or whatnot...


    sure a lot is controlled by the company especially during early on/rookie years but most groups in their 4/5 year have contributed a lot more towards their own music/MV/direction no?

  • While I do feel this is true for some groups, I'm also cognizant that this image may be heavily tainted by what Western Media wants us to see. When KPOP was rising, the west ran a dearth of articles vilifying it. Did they lie? No, but they certainly tried to make it seem like it's only KPOP that happens in.


    Not all western artists write their own work or even gets lots of say in their music. There are western stars that have come out of the industry and told us how their label wants them to present a certain image and they were limited to this or that, etc.


    And like you've seen, there are KPOP idols that break that mold. Imma name drop BTS here cause they're coming back in June. ANTICIPATE!!!!

  • While I do feel this is true for some groups, I'm also cognizant that this image may be heavily tainted by what Western Media wants us to see. When KPOP was rising, the west ran a dearth of articles vilifying it. Did they lie? No, but they certainly tried to make it seem like it's only KPOP that happens in.


    Not all western artists write their own work or even gets lots of say in their music. There are western stars that have come out of the industry and told us how their label wants them to present a certain image and they were limited to this or that, etc.


    And like you've seen, there are KPOP idols that break that mold. Imma name drop BTS here cause they're coming back in June. ANTICIPATE!!!!

    I agree until the last paragraph, BTS? Wtf there are plenty self produced bgs out there. Ehjsuxwjhsjxgsuwhdhjwjh

    :mad::mad::mad:

    Fe8TZRpaMAIFav2?format=jpg&name=large

    ThinkAbouTzu, Tuwuice:pleading::pleading::pleading:

  • i get your point, but i genuinely feel like that totally depends on what groups you're listening too, and whether or not you care tbh. im really here for the music, so as long im liking it, idrc..

  • i am too tired to reply to this fully rn, so for now i will say this: prod suga is some real shit. and not just him obvi and i hate being that one person but ppl stick by bts for a reason and a lot of it is their own artistry being able to shine through almost all of the time. i mean rm is a fucking genius and the other members are great writers (some producers too!) so i guess this isn't something i've thought abt too much.


    i shall add on in the morning.


    love u tho :borahae:

  • So at one point songs like Butterfly and New started losing their appeal (for me) because that whole "be yourself, spread your wings, something something" isn't genuine

    You mentioned two of my favorite songs. </3


    But it's okay. I get it.


    I'll still say this. To me, as long as the performers seem to understand and agree with the attitude and message they're conveying, that may be enough for me.


    Bonus points if they have more creative input. I tend to explore their discography and look into their work more, but it's not a dealbreaker if they don't.

  • Idols have always been more performers than producers/writers, they tend to be the ones that deliver what the company requires. It's true that is often up to random producers to release a instrumental and do a mixing job decently, but it's also up to the idols to deliver their vocals, raps, dancing and overall performance the best they can, and those are a lot of things on an already perfectionist industry, so that's why writing/producing is more like a bonus for those idols who are truly interested on the creative process of creating a song from zero.

  • i have gotten a little caught up with this myself and i have become the annoying "they co-produce", "it's co-written by them" & "X producer/choreography/lyricist/etc. also did well!!" person in every reactor's comment section :)

  • I feel like there are important distinctions to be done:


    1) When someone agrees RV has the best female discography (and I do think that) then that one simply find their music the best, regardless of who composed the songs . The reason why I find RV music the best is exactly a consequence of the fact they have several producers with time to compose a plethora of songs for them.


    2) Kpop has a prolific output of songs, with every group issue several songs a year. With so much music released I find borderline impossible for a self produced group to issue constant quality music without help of several producers. I usually find SM groups albums pretty good and consistent and it's true they barely write lyrics, so consistent output and not composing music aren't mutually exclusive


    3) It's impossible to really gauge how much any group actually contribute in non composing roles, such as art direction and executive production. We can have an idea, but it's mostly speculation


    4) Some idols just lack the skill or outright don't want or feel they need to compose a thing and that's not a bad thing in any way. Many of them engaged in idol life because they like performing arts and enjoying being a celebrity and there isn't anything to feel sorry about, unless the idols are being blocked to express themselves freely through their music.


    5) Saying western artists in majority actively compose and are the criative minds behind their work is an overstatement. We live in a era where people recording music on their own homes, produced by people who live in Sweden and they never met. Most of Latin and Anglo featurings are done this way, each one recording their own parts and emailing the producers to remix everything together


    6) PERFORMING ARTS ARE ARTS. It's 2022 and kpop fan still not accepting that simple fact. If you sing or dance, you are an artist. Boggles my mind how the absence of composition somewhat disqualifies idols to be artists, seems a narrowed definition of what art is. If not writing lyrics does not make you an artist, I suppose not singing live disqualify you to be a singer too, you stan composing dancers, but alas I digress

  • RV have one of the best discographies simply because they have quality music, it's not deep.

    And I don't know about other groups currently but Monsta X do have a say in their songs, they sit down and choose what producers have to offer and if they don't like it they can offer something else. That's how Gambler happened, which was produced and written by Jooheon. I assume it's a similar process with other groups, at least in Starship. Doesn't SKZ, SVT and BTS have a say in their songs too? From female idols I never heard much about, but at least Hyuna and g idle I am 100% sure they have a say in their music and concepts too.

    narcissistic, my god i love it

    JCsIq3Q.gif

  • but how do we know that it's that way for all groups

    there are a lot (more each generation and as the groups themselves mature) self-producing or groups that write their own lyrics or whatnot...


    sure a lot is controlled by the company especially during early on/rookie years but most groups in their 4/5 year have contributed a lot more towards their own music/MV/direction no?

    Well some groups but it's a little amount compared to the majority. And again I'm not saying that idols need to know how to write or produce, but they could at least have a say in their music


    Whatching western producers' interviews, they always mention how the artist contacted them and how they worked on the song. The most I've seen in kpop are the idols recording the vocals and das it


    There's a video on Genius about how the producers' of Bad Boy made the song, and they specifically said SM contacted them, they never mention RV (just for a clear example.. I don't have a grudge against them LOL)

    out of service

  • RV have one of the best discographies simply because they have quality music, it's not deep.

    And I don't know about other groups currently but Monsta X do have a say in their songs, they sit down and choose what producers have to offer and if they don't like it they can offer something else. That's how Gambler happened, which was produced and written by Jooheon. I assume it's a similar process with other groups, at least in Starship. Doesn't SKZ, SVT and BTS have a say in their songs too? From female idols I never heard much about, but at least Hyuna and g idle I am 100% sure they have a say in their music and concepts too.

    it's true they have quality music lol i never denied it but it's given to them by SM cause they have the money to get a good team. if they were from another company then their music wouldn't be as good and you would sll blame it on the producers

    out of service

  • Quote

    But if you look at western artists that don't write OR produce, they still sit down with the producers, writers, MV directors, etc, to establish what they wanna do

    idk about other groups but thats literally what happens with SHINee


    Like criminal director invited Taemin over to his house so they can edit together

    External Content www.youtube.com
    Content embedded from external sources will not be displayed without your consent.
    Through the activation of external content, you agree that personal data may be transferred to third party platforms. We have provided more information on this in our privacy policy.

  • Oh I didn't know that '-'


    You're always promoting SHINee lol ^^Are u hired by SM cause you'd probably do a good job in marketing

    eh na

    Its just the truth

    Alot of groups become more involved as they get seniority

    External Content www.youtube.com
    Content embedded from external sources will not be displayed without your consent.
    Through the activation of external content, you agree that personal data may be transferred to third party platforms. We have provided more information on this in our privacy policy.

  • it's true they have quality music lol i never denied it but it's given to them by SM cause they have the money to get a good team. if they were from another company then their music wouldn't be as good and you would sll blame it on the producers

    Their voices are one of the things I love the most in RV, they sound different from other ggs, so I would probably still enjoy their music. But it's true their producers influence the most on how their music sound, and I'm thankful for that tbh. It's like this all around the globe, if you make pop music and have a shitty producer and tools then your music will suck.

    narcissistic, my god i love it

    JCsIq3Q.gif

  • thats the appeal to kpop imo


    i dont need every artists to tell me before every albums how special it is, how its the "real them", how it was so much work , etc etc etc, when its manufactured all to hell


    ed sheeran(the king of self written) even admitted, he only wrote shape of you after the labeled said he needed a lead single and he didnt have one


    the west is too "serious" with music, everything is "personal", and they want you to believe that, but the truth is, it isnt, you probably get more genuine interactions with kpop idols through vlive/bubble then any western artists dropping an album then fucking off

  • i get your point, but i genuinely feel like that totally depends on what groups you're listening too, and whether or not you care tbh. im really here for the music, so as long im liking it, idrc..

    i'm here for the music too but it gets annoying how stans cherry-pick when to blame the company and when not to. i guess that's my biggest problem. they love to label their fave's successes as theirs but their mistakes as the company's fault

    out of service

  • i'm here for the music too but it gets annoying how stans cherry-pick when to blame the company and when not to. i guess that's my biggest problem. they love to label their fave's successes as theirs but their mistakes as the company's fault

    just stan JYPE groups, then you blame the company 100% of the time


  • Blackpink have proven that they decide stuff even about the MVs, yet their fanbase STILL blames their bad songs or lyrics on Teddy and YG

    I have a huge problem with this statement. First of all, most of the critics and blames for "bad" songs comes from outside the fandom, the only ever song that the fandom didn't like it as much was BYW, and the problem was the autotune and other major problems the fandom with songs usually goes with the choruses drops or line distribution, outside of those specifics points, we blinks don't have a problem with Teddy producing but we still want other producers to work with BP because of variety.

    Now our problems with yg and the music, are very different, mostly we hate how many songs they release when we do know that there is a lot of songs recorded yet they only release a little number for each comeback, also I know it was confirmed by Teddy that supposedly they don't want to overexpose people with releases, but that represents his ideals combined with his history with yg. If you notice every yg acts release fewer songs, so the excuse of overexposing is an excuse for the entire label, not especifically because the girls want that.

    Another of our problems here is the non creditation of the girls, we all know the girls were trained to write lyrics and stuff, that is common in yg trainees, yet yg don't credit them. There has been points that even the girls have said they did participate in the writing of some songs like Stay or Solo, yet they weren't credited, and now that the girls have finally got some credits, yg takes a lot of time doing the registration of the songs in KOMCA, a problem that happened with LSG and OTG. Perhaps if you look a more into it you kinda notice that LSG is one of the most loved songs inside the fandom, and not even because we finally got the girls credited, but also because as a song was the variety that we expect from working with differents producers like Jennie and David Guetta.

    Finally the only problems with lyrics came with english lyricist as Bekuh who does the english translation of korean raps for the japanese versions, and mostly that, not even onomatopeias usage are problems for us, and outside of those specifics topics I mentioned and explained, we blinks don't have a problem with the music. Its again, mostly kpopers.

    Now with your main topic I do agree that not realism in kpop lead me sometimes to not enjoy music, specially with certain labels, like SM. They not only take off the connection of the music with all this lore and overdeciding for their younger artists, but also made everything feel unnatural.

  • I respect your vision and I think we have to search in music what bring us comfort. If It's important that a group have a say in their music for you to connect with it, It's totally fine.


    But I don't really like the conception of saying the ones who don't have a say in their musical direction aren't real artists, when they could be so skilled at and passionate about other form of arts, such as singing, dancing, playing an instrument etc, there are many areas that can be used as a way of self expression in music.

  • OMG, you guys aren't getting me :pepe-life-support: I specifically said that I don't think everyone needs to produce or compose or whatever. I said I just hate SOME groups being controlled completely by their companies and having everything spoonfed to them


    I never stated most Western artists compose or produce, I said it was common for them to actually interact with the writers and composers:pepe-peek: And by sit down I don't mean literally sit down, it could be through email or text like Ariana did with Pharrel Williams on the sweetener album. But really just a few that actually write like Taylor or Ed Sheeran


    I'm not complaining about idols not directing absolutely everything, I can't complain about that cause it's not their job. But I do find it odd that some groups can't even do the mininum of saying what the hell they wanna do for X song and Y album :pepe-shrug:

    out of service

  • Well some groups but it's a little amount compared to the majority. And again I'm not saying that idols need to know how to write or produce, but they could at least have a say in their music


    Whatching western producers' interviews, they always mention how the artist contacted them and how they worked on the song. The most I've seen in kpop are the idols recording the vocals and das it


    There's a video on Genius about how the producers' of Bad Boy made the song, and they specifically said SM contacted them, they never mention RV (just for a clear example.. I don't have a grudge against them LOL)

    see a lot of times we don't hear about it doesn't mean it doesn't happen


    I'm sure a lot more groups (especially as I said moving towards their middle years and onwards) have a say in not just writing and producing but other stuff such as MVs and outfits and whatnot


    now I can only talk about my favs since I don't know about others (since they aren't my favs) but to my knowledge

    the only groups within my favs (BP, Twice, RV, Itzy, Aespa, Gidle (and formerly Izone)) who haven't contributed much would be RV and that's more so on SM than RV itself since Yeri has written music for herself

  • I have a huge problem with this statement. First of all, most of the critics and blames for "bad" songs comes from outside the fandom, the only ever song that the fandom didn't like it as much was BYW, and the problem was the autotune and other major problems the fandom with songs usually goes with the choruses drops or line distribution, outside of those specifics points, we blinks don't have a problem with Teddy producing but we still want other producers to work with BP because of variety.

    Now our problems with yg and the music, are very different, mostly we hate how many songs they release when we do know that there is a lot of songs recorded yet they only release a little number for each comeback, also I know it was confirmed by Teddy that supposedly they don't want to overexpose people with releases, but that represents his ideals combined with his history with yg. If you notice every yg acts release fewer songs, so the excuse of overexposing is an excuse for the entire label, not especifically because the girls want that.

    Another of our problems here is the non creditation of the girls, we all know the girls were trained to write lyrics and stuff, that is common in yg trainees, yet yg don't credit them. There has been points that even the girls have said they did participate in the writing of some songs like Stay or Solo, yet they weren't credited, and now that the girls have finally got some credits, yg takes a lot of time doing the registration of the songs in KOMCA, a problem that happened with LSG and OTG. Perhaps if you look a more into it you kinda notice that LSG is one of the most loved songs inside the fandom, and not even because we finally got the girls credited, but also because as a song was the variety that we expect from working with differents producers like Jennie and David Guetta.

    Finally the only problems with lyrics came with english lyricist as Bekuh who does the english translation of korean raps for the japanese versions, and mostly that, not even onomatopeias usage are problems for us, and outside of those specifics topics I mentioned and explained, we blinks don't have a problem with the music. Its again, mostly kpopers.

    Now with your main topic I do agree that not realism in kpop lead me sometimes to not enjoy music, specially with certain labels, like SM. They not only take off the connection of the music with all this lore and overdeciding for their younger artists, but also made everything feel unnatural.

    Well this was pretty insightful. I guess it kinda depends on who you meet. I'm not an avid Blink so I know you know more about the topic than me. Thanks for the info, it makes sense

    out of service

  • now I can only talk about my favs since I don't know about others (since they aren't my favs) but to my knowledge

    the only groups within my favs (BP, Twice, RV, Itzy, Aespa, Gidle (and formerly Izone)) who haven't contributed much would be RV and that's more so on SM than RV itself since Yeri has written music for herself

    Only RV ? The only group in your fav who is actually involved in creating process it's (G)I-DLE for the others it is not involved or much too rare.


    It's a problem that affects girl groups mostly, the companies give them very little freedom and don't trust them at all. And the BIG3 companies are by far the worst.

    "If you have time to fantasize about a beautiful end, then just live beautifully 'til the end."


    2bca8f6350f4d02a5e6b134ef325f83ec5739c69.gifv

  • This thread contains 5 more posts that have been hidden for guests, please register yourself or login to continue reading.

Participate now!

Don’t have an account yet? Register yourself now and be a part of our community!