Did YG introduce the first 6th gen group?

  • There's no way in hell I'm in the YG "Family" I'm with some of their Idols, but that's all.


    Also, I'm supporing this crazy 2nd gen Idol and her plan! I hope it's gonna work out and YG have to pay this "The total amount of unpaid earnings is estimated at 64272e trillion hundred million KRW (approx. 4.5 quadrillion USD)."🤣


    Park Bom files lawsuit against YG’s Yang Hyun Suk for fraud and embezzlement | allkpop

  • Is this a new group after BM?


    That basically means YG admitting BM was a failure.

  • icyruios Care to comment? 🤭

    They better have competitors because it's boring with just 1 group ending everyone


    And it's great seeing Day6 actually opening doors to getting idol bands recognised


    🎸 1. They redefined what an “idol band” could be

    Before DAY6, idol bands often weren’t taken seriously as musicians — they were seen as performance acts rather than true instrumentalists. DAY6 changed that by:

    • Writing, composing, and producing nearly all their own songs.

    • Playing live instruments on stage (vocals, guitar, bass, drums, keyboard) — which was rare for a K-pop group from a major label (JYP Entertainment).

    • Blending idol charisma with band authenticity, creating a bridge between K-pop and indie rock.

    This blurred the line between “idol group” and “band,” making it easier for future acts to be accepted in both spheres.

    🎶 2. Their music connected across genres and emotions

    DAY6 weren’t confined to one sound. Their discography touches on pop rock, alternative, punk, ballads, and even EDM-rock hybrids. This diversity allowed them to appeal to:

    • K-pop fans looking for emotional storytelling and catchy hooks.

    • Rock and indie fans drawn to musicianship and raw performances.

    Songs like “Congratulations,” “You Were Beautiful,” and “Zombie” showcased emotional honesty rarely heard in mainstream idol music — influencing the tone of later Korean bands.

    💡 3. They pioneered the “Every DAY6” project (2017)

    This was groundbreaking: DAY6 released two songs every month for a year, each with its own MV.

    • It showcased their creativity, discipline, and consistency as musicians rather than entertainers.

    • It gave them sustained visibility and proved that a band could survive — and thrive — in a fast-moving K-pop environment built around comebacks and viral hits.

    This project earned them critical respect and set a precedent for continuous self-produced output in the idol scene.

    🌍 4. They expanded the global appeal of K-bands

    DAY6’s international fanbase (My Days) grew rapidly thanks to their emotional universality and live show power.

    • They toured globally, from Asia to North America.

    • They proved there is demand for Korean bands overseas, helping pave the way for acts like Xdinary Heroes, ONEWE, N.Flying, and even younger indie bands to gain traction internationally.

    💬 5. They normalized the band format within K-pop

    Before DAY6, major entertainment companies rarely invested heavily in full live bands. After their success:

    • JYP launched Xdinary Heroes in 2021 as a direct follow-up project.

    • Other agencies started spotlighting band units or hybrid performance groups.

    • Korean music shows and award programs began giving more visibility to live bands.

    In essence, DAY6 showed that a band could compete at idol-level popularity — without sacrificing musical integrity.

    ❤️ 6. They emphasized emotional storytelling and healing

    Their lyrics about loneliness, heartbreak, self-doubt, and resilience connected deeply with listeners. DAY6 became known as a “healing band”, inspiring both fans and other musicians to prioritize sincerity over spectacle.

    🌟 In summary

    DAY6 paved the way by:

    • Proving musicianship and popularity can coexist.

    • Breaking down industry barriers for live bands.

    • Setting creative and emotional standards for newer K-bands.

    They didn’t just open doors — they built a bridge between K-pop and the broader music world.

  • Also,


    BIGnorBANG

    🎸 How DAY6’s Legacy Empowered Other K-Bands

    1. Xdinary Heroes (JYP’s next-gen band)

    • Direct successors: Xdinary Heroes debuted in 2021 under Studio J, the same JYP sub-label as DAY6. JYP explicitly cited DAY6’s impact as the reason to continue investing in live bands.

    • Musical independence: Like DAY6, Xdinary Heroes write and arrange their own music, showing that creative autonomy is now expected for K-bands.

    • Aesthetic freedom: They lean heavier toward rock and experimental sounds (punk, metal, alt-pop) — a sign that JYP trusted the “band identity” to stand on its own after DAY6 proved it could sell.

    • Industry recognition: Korean music shows, which once hesitated to feature bands, began giving full live slots and proper sound setups to Xdinary Heroes — a privilege largely earned through DAY6’s groundwork.

    2. ONEWE (RBW Entertainment)

    • Shift in label strategy: RBW (home of MAMAMOO) gave ONEWE serious production and promotional resources — something less common for bands before DAY6’s success.

    • Emphasis on artistry: ONEWE followed DAY6’s model by writing, composing, and arranging their own music. Their emotional, storytelling-focused lyrics echo DAY6’s approach to sincerity.

    • Crossover recognition: Because DAY6 normalized bands performing on idol-centric stages (like Music Bank and Inkigayo), ONEWE could perform there without being seen as “out of place.”

    3. N.Flying (FNC Entertainment)

    • Timing boost: Although N.Flying debuted before DAY6 (2015 vs. 2015 debut months apart), their popularity grew after DAY6’s success proved that K-bands could sustain mainstream appeal.

    • Genre blending: Their hits like “Rooftop” and Hot Potato found new traction in the era when DAY6 had already softened the public perception that “band music = niche.”

    4. Indie and rookie K-bands

    Beyond idols, DAY6’s impact trickled down to Korea’s indie and campus band scene:

    • Media exposure: Indie acts like The Rose, Lucy, Band Nah, and Rolling Quartz gained visibility through variety shows and festivals that were newly open to rock/pop bands.

    • Public mindset shift: Before DAY6, bands were often sidelined as “underground.” After DAY6, being in a band became aspirational — even within idol culture.

    • Collaborative respect: More idols began citing DAY6 as influences or collaborators, showing genuine appreciation for instrumental musicianship.

    💡 The Broader Industry Impact

    Barrier (Pre-DAY6)How DAY6 Changed ItResulting Opportunities
    Bands seen as niche or unmarketableDAY6 proved emotional pop-rock sells globallyMore agencies debut bands
    Idol groups valued over live musiciansDAY6 merged idol visuals with true musicianshipBands can coexist in idol ecosystem
    Limited TV exposure for bandsDAY6 drew ratings with live setsMusic shows opened slots for bands
    Few international tours for K-bandsDAY6’s sold-out world tours showed demandOther bands tour globally
    Little fan culture around bandsMy Day fandom model inspired active communitiesFanbases for newer bands are now strong and organized

    🌍 Global Influence

    • Fans abroad who discovered DAY6 through K-pop playlists became open to other Korean rock acts — fueling overseas tours for ONEWE, The Rose, and Xdinary Heroes.

    • Streaming platforms began featuring “K-Band” or “K-Rock” playlists, acknowledging the genre as a global sub-sector of K-pop.

    ❤️ In summary

    DAY6 didn’t just make space for bands — they made the industry rethink what “K-music” could mean.

    Because of them:

    • Entertainment companies take bands seriously.

    • Bands now have creative and emotional credibility.

    • Global fans view K-bands as a core part of Korean pop culture, not a fringe category.

    They turned being a “band” in Korea from a risk into a respected, sustainable career path.

  • Did you ChatGPT me? THAT'S RESERVED FOR PATRICIA!!

    :SCREEECH:

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