[enter-talk] BOTH MEOVV AND BABYMONSTER FLOPPED

  • Do you agree 27

    1. Yes (11) 41%
    2. No (12) 44%
    3. Idk (4) 15%

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    Even before their debut, they got so much attention. People thought that they would be the ones blocking HYBE's monopoly and chew the idol industry up
    But they can't even hit the average level results
    They're being associated with the leftovers of BlackPink's fandom overseas and completely flopped domestically
    MEOVV is even worse
    They don't even have any recognition domestically, nor overseas


    post response:

    [+318][-78]


    1. [+110, -80]

    Since when did HYBE have the monopoly..? That's my first time hearing ㅋㅋ Ah are you trying to claim they had monopoly when NewJeans were still a thing?


    2. [+84, -27]
    aespa and IVE are monopolizing the girl group market no? But I wouldn't say BAEMON and MEOVV flopped


    3. [+83, -2]
    Right now, all the rookie girl groups from SM, JYP and HYBE are in a awkward position no?


    4. [+63, -9]
    In the end, skills aren't the only thing the idol industry will look at. And And if foreigners make up the majority of the fandom, there are limitations domestically


    5. [+51, -5]
    If they have this many foreigners in the group to start with, just separate them and localize it, put all kinds of nationalities there, and debut them. Let the Koreans just watch from afar. I’m so tired of seeing the one Korean member getting bashed.


    6. [+36, -0]
    Heart2Heart flopped even harder


    7. [+29, -2]
    MEOVV, BAEMON and NMIXX are in the same situation.



  • 5th gen girlgroups are just in a tight spot overall. They havent had a hit in Korea since Magnetic.


    This generation of girlgroups from the big 3/4 just havent really clicked with the General Public yet. They have possibly the worst charting in the history of the big 4 if you really want to compare to the older generation.


    In Babymonster's case it has just been highlighted more because they belong to a company who previously had never flopped in Korea for their GGs.

  • 5th gen girlgroups are just in a tight spot overall. They havent had a hit in Korea since Magnetic.


    This generation of girlgroups from the big 3/4 just havent really clicked with the General Public yet. They have possibly the worst charting in the history of the big 4 if you really want to compare to the older generation.


    In Babymonster's case it has just been highlighted more because they belong to a company who previously had never flopped in Korea for their GGs.

    I agree, but it’s interesting how the new generation is struggling to capture the attention of the general public.

    And because sudden, rapid success has become the norm especially at YG Entertainment these groups are often perceived as flop.



  • 5th gen girlgroups are just in a tight spot overall. They havent had a hit in Korea since Magnetic.


    This generation of girlgroups from the big 3/4 just havent really clicked with the General Public yet. They have possibly the worst charting in the history of the big 4 if you really want to compare to the older generation.


    In Babymonster's case it has just been highlighted more because they belong to a company who previously had never flopped in Korea for their GGs.

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    Sticky is def a hit. It didn't have PAKs but it has amazing longevity for a summer song.

  • I agree, but it’s interesting how the new generation is struggling to capture the attention of the general public.

    And because sudden, rapid success has become the norm especially at YG Entertainment these groups are often perceived as flop.



    I think companies getting greedy and debuting more and more girlgroups as kpop become more profitable has been a big part of this.


    Dont think it is a coincidence that there are still 3rd and 4th gen girlgroups still having hit songs in Korea in 2024-25 (Aespa, IVE, Blackpink, I-dle, NJZ) while 5th gen is struggling.


    Market is just very saturated

  • No top girl groups (i.e top 3-5 of each generation) didn't have a least one hit song earlier into their careers.


    This is understandable, because for big companies' groups the GP knew them from start. If they couldn't prove to have likeable music after 2-3 comebacks then the GP would lost patient.

    All of the "growth" talks are just fandom copium. They can grow fandoms with time but won't become top groups from that.


    Meovv still has chance, but time doesn't support BM in this case.

  • This was a stupid post when I read it the first time on pc, and it's stupid now. The worst thing you can say about MEOVV/BM is that they're under-performing expectations. Again, that's the absolute floor in terms of how you could describe their commercial success to date.


    Calling either group a flop means that the word "flop" really has no meaning any more. That or the definition of the word has been stretched so much that it renders the word meaningless.


    Because there is no way a song that has been in the top 20 on every chart (Hands Up) is a flop, and I can think of plenty of girl groups that would like to flop like BABYMONSTER.


    The use of the word "flop" to describe either group today is just heinously stupid.

  • Flop is less of a definite term and more a reflection of the majority’s perception. In the 5th generation, there aren’t groups like aespa, IVE, or (G)I-DLE dominating the charts, and this strongly creates the perception among netizens that these groups are flops. Regardless of whether I agree or not, I can understand this perception.

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    Sticky is def a hit. It didn't have PAKs but it has amazing longevity for a summer song.

    I dont consider a song which dont even have 400M digital points a hit song.


    I hope they do well and I'm sure they should be given more leeway and praise for their achievements since they come from such a small company but we didnt need to lower standards for other generations for a defintion of a hit song- example Mamamoo, Momoland etc.


    But you could have a different defintion of a hit song in Korea and im going to respect that

  • I dont consider a song which dont even have 400M digital points a hit song.


    I hope they do well and I'm sure they should be given more leeway and praise for their achievements since they come from such a small company but we didnt need to lower standards for other generations for a defintion of a hit song- example Mamamoo, Momoland etc.


    But you could have a different defintion of a hit song in Korea and im going to respect that

    ...It is actually close very close to 400M digital points, and should reach it in a few weeks.


    I am not asking you to lower your standards for them. I don't need to. The bar for 5th gen is in hell, yes and Sticky happens to be one of the better performing songs from 5th gen groups and as you can see in the tweet I linked, they are holding up very well against older gen groups.


    For 5th gen standards, Sticky is most definitely a HIT and a top 3 GG song. I don't understand why you're using digital points to measure a song's performance in 2025 as it is common knowledge they are down for every artist.. it peaked back in 2018.. Anyway, you do you.

  • For 5th gen standards, Sticky is most definitely a HIT and a top 3 GG song.

    Yes, but I guess a “hit” is mostly described as something like Magnetic or Whiplash. And I think having a hit song doesn’t change the fact of being considered a flop either in that case, you just become a one-hit flop or something like that. For example, ILLIT is definitely not a flop group, but compared to the groups from past generations, they’re less impactful like mid size, even though they have a hit song. I guess we could say the same thing for KOF as well.

  • Honestly 5th gen as a whole is struggling


    The problem is that kpop fans and companies have wanted to debut this 5th gen way to quickly

    When most of the 4th gen groups are still at their peak

    Ive, nj, aespa and to some extent lesserafim are still doing pretty well in the local market


    So kpop fans aren't ready yet to get their attention on new groups


    + 4th gen groups felt more "researched" they try to stand out with their visual or concept

    But i feel like 5th gen aren't trying hard enough and it make them look kind of "lambda"

    Which doesn't help them to stand out

  • I don't understand why you're using digital points to measure a song's performance in 2025 as it is common knowledge they are down for every artist.. it peaked back in 2018

    Digital points still takes into account most of the streaming services in Korea.


    I am well aware that they are down since 2018 but we already lowered the standards for that. 400M in 2018/19 wouldnt even be considered as a hit. Also there are still many many lower hit level songs that can hit 400M since 2020, etc Illusion, Savage, Heya, Teddy Bear.


    Its the same argument for the weeks/days in top 100 chart. That chart favours the newer generation due to chart reform, thats why very little girlgroups from 3rd gen appears in it. Im not sure why I cannot use digital points for argument when u want to utilize that statistic to list Sticky as a hit

  • + i would say 5th gen are in the worst position ever


    Cuz when 4th gen debuted, 3rd gen group already lost all relevancy in korea for some years


    Bur 5th gen can't even try to target a certain market to try to stand out


    International market is still heavily dominated by 3rd gen groups, with 4th gen starting to make a name for themselves


    4th gen groups are dominating national market


    And in 5th gen you see more and more 2nd gen group reforming to comeback (kara, infinite,...)


    They are in the wrong position cuz they are in a generation where every gen are mixing together with already establish fandom

    So it's pretty hard for them to stand out and steal some fans


    Especially when their own companies see that their 4th gen groups are bringing more money and continue to push them more than their 5th gen groups


    Just as an example, when aespa debuted and came back with NL they went on radio show to promote, variety show etc... To put their face everywhere


    Compare to them H2H didn't receive half of the treatment aespa receive, they didn't do much radio show, they made no variety show apparition,

    Their only group promo is making youtube content but youtube content can't help you to create a big fanbase if you don't get your name out here first

  • Yes, but I guess a “hit” is mostly described as something like Magnetic or Whiplash. And I think having a hit song doesn’t change the fact of being considered a flop either in that case, you just become a one-hit flop or something like that. For example, ILLIT is definitely not a flop group, but compared to the groups from past generations, they’re less impactful like mid size, even though they have a hit song. I guess we could say the same thing for KOF as well.

    No, it isn't. Magnetic and Whiplash are both examples of a big hit. Sticky is just a hit. It was not exactly huge but it certainly is a tier above songs like Sheesh, Drip and Hands Up.


    It does. Was anyone calling Brave Girls flops when Rollin' was topping the charts and racking up PAKs? Or when they released their summer song and it had one of the strongest starts of the year? A hit song changes your status. It may be only for a short time but it definitely does.


    There are several reasons why ILLIT and KIOF are less impactful than older groups and the biggest is that y'all haven't given them or any other 5th gen GG the time to grow.

  • what you wrote gave me the impression that companies deliberately don’t give their new groups the kind of “safe,” or what we might call “public friendly,” songs. At least, we can say this is the case for H2H and BM.


  • what you wrote gave me the impression that companies deliberately don’t give their new groups the kind of “safe,” or what we might call “public friendly,” songs. At least, we can say this is the case for H2H and BM.


    Actually i would say the contrary

    Currently kpop companies seems to give their new groups songs that are "too safe"

    Looking at H2h latest song or kiiikiii comeback


    Their songs feel too safe and pretty generic

    And i think it's what's make them not stand out


    KIOF was able to get a hit cuz even if sticky as a song felt safe, the concept was sexy qo it made them stand out cuz it's niche in korea and when you think sexy you directly think of KIOF


    But cuz H2h and kiiikiii are doing generic and safe songs it's hard to know what is their image, what is their sound and actually stand out from each other because they are all targetting the same market


    While if you look at 4th gen gg, they all seems to have been very successfull quickly cuz looking at their concept and even sound none of them were competiting for the same public so it made them all find their public and stand out


    If you compare for example Aespa, Nj, ive or lesserafim you can't say they remind you of each other


    But when you look at kiiikiii and H2h it's clear that they are targetting the same public

    Same for meovv and BM


    So 5th gen gg are walking on each other toes


    While 4th gen gg were walking each one on their own path that's why they were able to be successfull all of them

    And build big fanbase without competiting directly with each other for the same type of public

  • I used the word "safe" to mean styles that don’t stand out. For example, BM has a few songs like that, but they feel a bit different to Koreans ( not enough to get attention both internationally and domestically, but the effort was there. ) H2H, on the other hand, has a very simple concept and is considered safe in that sense.

  • I used the word "safe" to mean styles that don’t stand out. For example, BM has a few songs like that, but they feel a bit different to Koreans ( not enough to get attention both internationally and domestically, but the effort was there. ) H2H, on the other hand, has a very simple concept and is considered safe in that sense.

    Oh yeah


    Honestly i didn't expect SM to go on such a safe road after seeing the success of aespa

    Even if i had some doubt after seeing the direction of Riize


    But i had hopes that they would be able to mix a bit of the originality of aespa with a bit of "generic gg" formula of snsd

  • Digital points still takes into account most of the streaming services in Korea.


    I am well aware that they are down since 2018 but we already lowered the standards for that. 400M in 2018/19 wouldnt even be considered as a hit. Also there are still many many lower hit level songs that can hit 400M since 2020, etc Illusion, Savage, Heya, Teddy Bear.


    Its the same argument for the weeks/days in top 100 chart. That chart favours the newer generation due to chart reform, thats why very little girlgroups from 3rd gen appears in it. Im not sure why I cannot use digital points for argument when u want to utilize that statistic to list Sticky as a hit

    Illusion came out in 2022, digital points were still much better then as compared to now. Savage came out even earlier.


    I never said Sticky was bigger than Heya so..? One look at their peak ULs will tell you everything.


    And how many 5th gen songs other than Sticky lasted for 400 days on Melon top 100? TWO. And based on how everyone is charting these days, I am not expecting new entries anytime soon.


    Sticky is a hit for 5th gen standards. I am not saying its a national hit or anything but you're just being stubborn by denying its hit status.

  • Baemon sold over a million copies of their debut album and their Spotify stats are very strong.

    I'd love my faves to flop like Baemon.

    also they are touring the USA, Canada, and Asian countries, and their concerts sold very well, but according to Korean netizens, they are considered no-name flops in Korea that’s the perception. Still, I can't help but add that they really aren't a well-known group in Korea. Even songs like 'Drip' and 'Sheesh,' which perform well on the charts, aren't that impressive compared to the 5th generation groups, which we can even call the least successful and underperforming generation.

  • Why was h2h even mentioned :!: they’re a 5 month rookie who has 2 songs charting and STYLE will probably break into the top 20 next week :!: that comment was so unnecessary and false:watt:


    Anyways I don’t agree Meovv or BM are flops! Meovv are rising each comeback! They’re still in top 30!


    BM don’t chart the best but isn’t Hotsauce an English comeback :?: not a fair song to judge! We need a Korean comeback to decide if they’re making progress with the public :oops:

  • It's a bit silly to call them "flops", they are doing a lot better a lot other groups.

    And to think BM would rush to be a top 3 group when BP are still active is not realistic.


    And we don't have a "5th generation" either by the pure reason that we still have 3rd generation groups and 4th generation groups in the top, all groups debuting now are 4th generation if we really need still need to use that concept. The concept is really outdated.

  • I think NewJeans and IVE ruined people's perception in what to expect from rookie groups. People need to realize that NewJeans was an anomaly, and don't expect groups to have that kind of historic run. NewJeans members weren't known the public like Wonyoung and Yujin were. You have to give credit to both groups for having strong starts and carrying on momentum gained from strong starts.


    I think the main problem with 5th gen groups they're battling with with 4th gen groups in their prime. I don't even think IVE or Aespa has reached their ceilings yet and that will impact 5th gen groups. I think many people forgot that 3rd gen already faded by the time most of the 4th gen group debuted. I am unsure when 4th gen will fade and that will always impact 5th gen's success. The groups aren't just competing with other 5th gen groups, they're also competing against IVE, Aespa, NewJeans, Idle, LSF, etc.


    Both Meovv and BaeMon are doing fine, and most groups don't start hot right away and keep momentum like NewJeans and IVE did. I feel as long as a group is able to tour and sell units, then they should be fine. I don't know how you can consider a group that has performed in arenas in North America a flop. Also we should wait for year 3 to consider a group a flop unless they completely flopped in key metrics in their first year.

  • if we were being honest, it's not just 5th gen that were struggling in SK. 3rd Gen GG also didn't do well.


    if you took blackpink out of the map, the 4th Gen GG already beat the 3rd Gen for years on charts/album sales/music show/concert tickets and soon 5th Gen.

    Edited once, last by trippin ().

  • I think the reason they're going safe route with H2H is because of age. I think concept-wise they're limited and have to set themselves apart with music rather than concepts. I think what makes the group seem safe is there are too many groups aiming for similar aesthetics. It's why the groups that are doing something different are seeing success.


    I think the media and companies were too early to declare a 5th gen. The public is not ready to move on from IVE, Aespa, NewJeans (if they return), and even groups like Idle and LSF aren't going to fade away that easily. WE can be 5 years into 5th gen and I can see the top 3 groups still dominating the charts in 2028

  • I mean Meovv is doing better with each comeback... I think. Hands Up is still charting too. Top 30 I believe.

    Yeah, it’s better for groups to start off slow and build up over time rather than peaking in their first few years.


    These knetz think success is solely determined by how big your debut or early hits are but growth >>>>>

    Edited once, last by msmelon ().

  • I think the main problem with 5th gen groups they're battling with with 4th gen groups in their prime. I don't even think IVE or Aespa has reached their ceilings yet and that will impact 5th gen groups. I think many people forgot that 3rd gen already faded by the time most of the 4th gen group debuted. I am unsure when 4th gen will fade and that will always impact 5th gen's success. The groups aren't just competing with other 5th gen groups, they're also competing against IVE, Aespa, NewJeans, Idle, LSF, etc.


    Both Meovv and BaeMon are doing fine, and most groups don't start hot right away and keep momentum like NewJeans and IVE did. I feel as long as a group is able to tour and sell units, then they should be fine. I don't know how you can consider a group that has performed in arenas in North America a flop. Also we should wait for year 3 to consider a group a flop unless they completely flopped in key metrics in their first year.


    Most top group often rise to the top and peak in their early days, at least that is my impression. Few groups suddenly rise to the top after year two, even if their always are exception like BTS for example. Groups like Blackpink, Twice and NewJeans came out with guns blazing from the start, sure we have some slow starters like Girls' Generation, 2NE1 and T-ara, but within 1-2 years they where full steam ahead and maybe already peaking year 3-4.


    But yes, all groups should get about two years and a couple of singles before judging their chances to climb even higher. But I doubt a group like Babymonster suddenly would get a huge boost of popularity, it's just too crowded with other groups. But everying can happen if you get a big hit. Aespa have probably peaked, that don't mean they will be a top group for a bit longer, just don't really see them getting any more popular than they are.

  • Most top group often rise to the top and peak in their early days, at least that is my impression. Few groups suddenly rise to the top after year two, even if their always are exception like BTS for example. Groups like Blackpink, Twice and NewJeans came out with guns blazing from the start, sure we have some slow starters like Girls' Generation, 2NE1 and T-ara, but within 1-2 years they where full steam ahead and maybe already peaking year 3-4.

    None of the groups mentioned were slow starters.


    BTS was the biggest group debuted in 2013, got every rockie award.

    2NE1 was the definition of "monster rockie".

    T-ara and Girls' Generation both had hits 3 months after debuted.


    They didn't even need 1 year to prove the potential.

    Edited once, last by vinslow4 ().

  • Girls' Geneartion, T-ara, 2NE! did not exploded right from their debut song it took maybe their second single or so before shoot to the top, so that why I said like I said, but sure you confirm what I said, must group that will be big top group often get big right away or within their first 1 year.


    BTS? I don't know if I'm totally wrong, I don't follow them, but what I know they was pretty nogu group the first years, I still remember them as BangTangBoys. What I can see their first song to reached top five of the Gaon Digital Chart was in 2015, about two years after their debut.

  • 6. [+36, -0]
    Heart2Heart flopped even harder

    Actually i would say this sentence is very wrong


    Overall H2H is doing better than Meovv


    Style (#27) just surpassed Hands up on melon (#28)


    Their debut song release in february is still charting on melon 6 months after


    And H2H debut sold the double of Meovv EP


    I think a lot of people are diminishing H2H cuz they expected them to debut and crush everything after seeing aespa debut year

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