Do you think pre-release singles are still beneficial in building hype, or do they do more damage than good for a group's comeback performance?

  • or does it heavily depend on what specific group is doing it?


    A kpop pet peeve of mine is pre-release singles, bc I see something dropped and get excited to hear the album and then find out the album is only out next month. I love the "old" tradition of checking the title track, followed by the album and b-sides listening session. When the releases are scattered around not only is it hard to keep track, but kinda kills the mood and hype for a specific comeback. Instead of the comeback feeling like a distinct era/event, they're all a bit interchangeable and forgettable even. But that's just my personal preference.


    In terms of how beneficial it can be for a group's comeback, it can work really well in some cases like obviously Blackpink, aespa (especially last year), etc. But when this is done for groups that are less known, it seems that they drop a single out of nowhere, disappear and then drop another one with the entire album which makes the cb roll-out confusing to the casual kpop fans who these lesser known groups heavily rely on. So it ends up having the opposite effect when the pre-release has a meh reception, killing the hype for the main release. Recent example is TWS, they dropped the pre-release like a month ago, and then dropped the album this week and the hype which was already minimal before the pre-release, is literally non existent now. What exactly did they gain from it?


    I can't help but feel like the intention is good, but execution is poor. Let's face it, it's hard to make the perfect choice of what to release before the album as an appetizer, what to serve as the main dish later, and have the entire comeback work as a cohesive and solid meal. Even big companies like SM, HYBE, etc succeed in some choices but miserably fumble in others. Is it sheer luck, is it solely dependent on how good the pre-release is, or does none of that matter if the group isn't very relevant? If so, why do the labels of these smaller groups still do pre-releases? Do they still not get the memo? Or am I missing something and there's actually some sort of benefit from it?


    tl;dr:

    1. Pre-releases for big groups vs smaller groups: good or bad strategy?

    2. Do you like pre-releases and do they make you more interested in a group's comeback?

  • Honestly, I think it depends on the pre-release.


    If the pre-release is good, it does make me anticipate the title track. But, if it's boring, that also kills some of the hype for the title track. It also depends on how invested I am in the group overall. Some groups do this strategy well, and some don't. If I'm not following a group closely enough, I do get confused on if it is a title track or not. Like, that whole situation with KiiKii and their debut.


    I don't know about other companies, but I feel like JYPE only does pre-releases because they announce their comebacks one month ahead. Basically to give fans time to pre-order.


    Though, I do think I prefer this strategy over releasing the title track, and then releasing and trying to promote a b-side after the title track promotions.

  • This depends on the song. Imo it doesn’t matter one way or another.


    If it’s successful people will say it’s needed if it’s unsuccessful people will say it’s not needed.


    The actual thing that affects a hit is whether the fans like it and if people want to tune in.

  • Double title track is better. It gives fans two songs to get crazy over and allows for 2x the chances of a song going viral in the GP.


    Prerelease single usually saps hype away from the main title or it ends up as a flop that just wastes promotional $$.

    I would understand the double title track strategy rather than risking it and doing pre + main title track, for smaller groups. For bigger groups who are more focused on specific goals (billboard charts, youtube records etc), it can end up being counter productive bc the streams/views would be split in half.


    I think pre-release strategy for lesser known groups is completely irrelevant and sometimes even detrimental.

  • smaller groups just follow industry trends. they don't have enough resources to take risks so no choice but to play it safe. as far as liking pre-releases, i don't care what it's called as long as it's not slop

    I totally agree with you on the following the trend thing if they are from smaller companies, but what about less relevant groups from bigger companies? Surely they are way more able to read the room and understand what works and what doesn't after one trial and error...

  • I totally agree with you on the following the trend thing if they are from smaller companies, but what about less relevant groups from bigger companies? Surely they are way more able to read the room and understand what works and what doesn't after one trial and error...

    wouldn't hurt to try a different strategy from the flagship group. might make the bside group stand out more

  • Idols release too often and albums are too incoherent in K-pop for them to br effective. What I mean by that is that many idol songs even by the biggest groups sound very unfinished compared to their title tracks, so the pre-release feels a bit okay. Maybe b-side+ level. However, the rest of the releasr feels disjointed because there are too many cooks in the various kitchen rather than a consistent head chef throughout everything. Without that head, pre-releases are really lacking that consistent thread that should connect every song in a release.

  • it depends on the group and company


    firstly does the company/group have the resources to promote it or do they just drop it and leave it?


    for a fans perspective more mvs more performance/dance videos and more promotional material that one would otherwise not gotten if there was no prerelease track so fans win


    for the group/company it's an additional resources they have to spend - time/money to undertake for the prelease so it has to be financially worth it in order to do it


    in regards to


    "Even big companies like SM, HYBE, etc succeed in some choices but miserably fumble in others. Is it sheer luck, is it solely dependent on how good the pre-release is, or does none of that matter if the group isn't very relevant?"


    yes a lot of it does come down to luck...nothing is guaranteed to get success (amongst SK public these days) since they are a fickle creature if you name isn't BTS, BP, Gdragon, Big Bang or IU (I might be missing a few names) but that applies equally to every song release not just preleases


    There are preleases that do better than the actual release and vice versa - ones that both do well and ones that both "flop"

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