not all idols has the IT factor to become a soloist

  • It takes alot of things in order to succeed as a solo; talent, ability to compose/produce songs that gp can relate to, have many hit singles ( otherwise you fade away), stand out..


    So overall Its much more hard to succeed as a solo than in groups. You need "gp" if you want a long lasting solo carreer.


    And only afew have actually succedded to create such a relevance outside their group; such as Lee hyori, Tayeon, Chungha, Zico, GD.

  • Wut? Izone soloists have all matched or massively outsold the IOI soloists. Chungha averages like 20k on Gaon, Somi got around 50-60k on Gaon last i saw. Depending on whether youre looking at Gaon or Hante0, Yena doing 110-130k, Yuri doing 75-90k, Eunbi doing 40-60k, even Chaeyeon doing 35k on Hanteo.


    If you're talking about digital relevance, then sure, Chungha has outcharted them all easily, with Somi and Yena the only others to have a top 10 hit.

    Digital is more relevant to long-term performance, and Izone disbanded April 2021. Still too early to judge Izone soloists. IOI disbanded Jan 2017. By about the same time after disbandment Chungha had a major hit with 'Roller Coaster', Sejeong had hits with 'Flower Way' and 'I Like You, I Don't' and Somi still hadn't released anything.


    Somi had a hit 5 years after disbandment, Chungha is still relevant despite falling off a bit, and Sejeong would probably do well if she released new music. They have proven that they can maintain a solo career that isn't dependent on group fans.

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  • They have proven that they can maintain a solo career that isn't dependent on group fans.

    I don't think IOI can even be considered as having group fandom.

    Too short, no offical fandom organization etc.


    Yet the top ones have done very well to build popularity with GP.

    Izone had far more advantages in duration, in fandom etc.


    Even so, once disbanded the dynamics aren't going to any different.

  • Silly arcane way of thinking lol of someone stuck in the past. If you’re able to sell and tour that’s more than enough to succeed. Digital relevance that’s not accompanied by sales and touring is far more useless.

  • To be fair Hyuna has held her own for 10+ years as a soloist. It makes sense her hype has been fading now but that's the reality for a female in kpop, she did well enough to make a mark on the Korean soloist world. Hyuna was overexposed post her CUBE exit and part of the reason she's not doing so well is because she's choosing to make unconventional music. She deserves to be up there with Taeyeon imo because she basically pulled Cube from the trenches. (even if Taeyeon is doing better now, she debuted far later as a soloist and with more company backing).


    Whereas with Sunmi she should be doing way better than she is now because her music is still very GP-catered but she's not.


    Hyori I would say is probably the biggest brand of female soloist in kpop.


    Even the strongest soloist will have a waning period, unless they choose to take breaks themselves or branch out in different career fields. This is true in the Western World too - why is Harry Styles trying to act? Why are Bad Bunny and Maluma acting? Why is Shakira on TV shows ie the Voice?

  • Of course. Hyuna has her own successes. No denying that.


    It is all relative measure.


    The most successful soloist in K-pop is IU, who so far hasn't waned at all. But she played it differently than others focusing on creative control and lyrical appeal. And also diversified into acting etc.

    But she isn't ex-group. So not relevant to discussion.


    Hyori is pre-digital era. Too distanced in time to use as a model for Izone cases.

  • Interesting.

    Whats your take on male soloists?

  • Technically Boa is still counted as a strong soloist. Kpop does not care for older females but she still had hits like Only One at an older age and dominated as a teenager. She wasn't far off IU in her prime.


    IZ*One soloists are doing fine. Nothing horrible, but nothing big enough to "breakout". I have a feeling Yuri will have a breakout hit soon but again, probably not to the level of being a super relevant soloist.

  • Technically Boa is still counted as a strong soloist. Kpop does not care for older females but she still had hits like Only One at an older age and dominated as a teenager. She wasn't far off IU in her prime.


    IZ*One soloists are doing fine. Nothing horrible, but nothing big enough to "breakout". I have a feeling Yuri will have a breakout hit soon but again, probably not to the level of being a super relevant soloist.

    BoA was indeed a phenomenon. But again being a pure soloist like IU and further away in history like Hyori, may not be useful to analyse for this discussion.


    Izone soloists are doing fine, better than 90% of other acts - solos or groups.


    But the question is, whether they will hit Taeyeon levels of success or not, with the GP.


    If they are only Wizone dependent, good physical sales, but poor digital charting, they will wane over time.

  • No way. Taeyeon levels of success I don't think will be replicated for a while. Sunmi/Hyuna maybe, but Taeyeon's solo debut was a cumulation of her SONE popularity [was literally top 3 most-biased female idols in 2nd gen], being hated on for so long, debuting later than her main vocal peers, having a popular song, and a very likeable voice.


    The top 3 most biased female idols are probably Lisa, Jennie and probably like Sana or something for 3rd gen.


    For 4th gen...Wonyoung only hit max popularity a year or so ago, the rest are too new to have that kind of impact Taeyeon accumulated over 5-6 years.

  • No way. Taeyeon levels of success I don't think will be replicated for a while. Sunmi/Hyuna maybe, but Taeyeon's solo debut was a cumulation of her SONE popularity [was literally top 3 most-biased female idols in 2nd gen], being hated on for so long, debuting later than her main vocal peers, having a popular song, and a very likeable voice.


    The top 3 most biased female idols are probably Lisa, Jennie and probably like Sana or something for 3rd gen.


    For 4th gen...Wonyoung only hit max popularity a year or so ago, the rest are too new to have that kind of impact Taeyeon accumulated over 5-6 years.

    I am not sanguine that BP or Twice solos will do any better, once their groups go passive, at least not with Korean GP.


    Internationally is a different story.

    And if the trend holds even BTS.


    But if they have parallel group activity, even at a lesser frequency, then it is better

    Most of the ex-group idols don't continue with active music though, they pivot into acting and other stuff.

  • Silly arcane way of thinking lol of someone stuck in the past. If you’re able to sell and tour that’s more than enough to succeed. Digital relevance that’s not accompanied by sales and touring is far more useless.

    I think the point is that the sales are due to the Izone fandom which will fade over the next 1-2 years. If they can't appeal to the GP then they are done.

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  • Digital is more relevant to long-term performance, and Izone disbanded April 2021. Still too early to judge Izone soloists. IOI disbanded Jan 2017. By about the same time after disbandment Chungha had a major hit with 'Roller Coaster', Sejeong had hits with 'Flower Way' and 'I Like You, I Don't' and Somi still hadn't released anything.


    Somi had a hit 5 years after disbandment, Chungha is still relevant despite falling off a bit, and Sejeong would probably do well if she released new music. They have proven that they can maintain a solo career that isn't dependent on group fans.

    Chung Ha has fallen off a bit but I blame that entirely on her company and their poor promotions. In this current kpop climate, you need more than 1 comeback a year (one that is promoted on music shows). Blackpink are the only exception to this rule right now. Groups used to do well with only 1 release a year but now you need to have between 2-3 a year to keep up with the current market.

  • Chung Ha has fallen off a bit but I blame that entirely on her company and their poor promotions. In this current kpop climate, you need more than 1 comeback a year (one that is promoted on music shows). Blackpink are the only exception to this rule right now. Groups used to do well with only 1 release a year but now you need to have between 2-3 a year to keep up with the current market.

    Somi had a hit after releasing nothing for 2 years and then 1 single per year for two years. It's possible, but probably wont work.

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  • Moderator

    Moved the thread from forum KPOP to forum KPOP.

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