Today, I’m presenting one way to distinguish normal hits from the smashes that will go down in chart history: longevity. It’s the ability to chart for a long time, and in some cases, re-chart months or years after falling off the charts that separates the quick burn from the timeless.
Section I
Charting for a year or more (52 weeks) in the top 100 is already impressive enough, but there are hits that can last even longer than that.
Here are idol group songs that meet this standard (organized by year of release):
- GFriend – Me Gustas Tu (62 weeks)
- TWICE – CHEER UP (66 weeks)
- BTS – Blood Sweat & Tears (56 weeks)
- BTS – Spring Day (232 weeks*)
- WINNER – REALLY REALLY (72 weeks)
- BLACKPINK – AS IF IT’S YOUR LAST (67 weeks)
- Red Velvet – Red Flavor (64 weeks)
- Wanna One – Energetic (80 weeks)
- BTS – DNA (82 weeks)
- BTOB – Missing You (86 weeks)
- Wanna One - Beautiful (57 weeks)
- iKon – Love Scenario (60 weeks)
- BTS – FAKE LOVE (52 weeks)
- TWICE – Dance the Night Away (61 weeks)
- BTS – IDOL (79 weeks)
- BTS – Boy with Luv (120 weeks*)
- Mamamoo – HIP (54 weeks)
- OH MY GIRL – Nonstop (65 weeks*)
- OH MY GIRL – Dolphin (65 weeks*)
- BLACKPINK – How You Like That (57 weeks*)
* = currently charting top 100
Yes, I know that it is easier to chart for longer now due to South Korea streaming more than downloading these past 2 years, which is why I want to mention the older songs that re-chart in the top 200 (a 2019 addition to Gaon’s digital charts).
Section II
Due to streaming, it’s now possible for songs that are years old to re-chart in the top 200 depending on:
- if a large fandom is active.
- the song being seasonally mass streamed.
- a song going viral.
- if it’s constantly streamed but not enough to chart top 100.
or any other combination thereof. Here are pre-2019 idol group songs that have re-charted in the top 200 of Gaon’s main Digital Chart after months (or years) with no appearance. In parentheses: the left of the semicolon represents the years a song has re-appeared; to the right tells how long a song charted in its original run without falling off.
- BTS – IDOL (2021; charted well into 2020)
- BTS – DNA (2021; charted well into 2019)
- BTS – FAKE LOVE (2021; charted well into 2019)
- BLACKPINK – DDU-DU DDU-DU (2020; charted well into 2019)
- BLACKPINK – FOREVER YOUNG [summer song] (2020, 2021)
- BLACKPINK – AS IF IT’S YOUR LAST [summer song] (2019, 2020, 2021)
- Red Velvet – Red Flavor [summer song] (2019, 2020, 2021)
- TWICE – Dance the Night Away [summer song] (2020, 2021; charted consecutively to week 1 of 2020)
- TWICE – Heart Shaker (2019)
- TWICE – What is Love? (2019)
- TWICE – Merry & Happy [Xmas song] (2020)
There are a couple of things to note about this section.
1) This only lists the songs that have charted after a period of not being visible on the main chart. So songs that charted without stopping into 2019 and/or 2020 aren’t counted unless they showed up in 2021.
2) Songs that became hits during seasons or holidays are then associated with that time, and South Korean charts fall into a predictable pattern around this time.
3) No 2019-2021 songs are included. Why? They gained most of their revenue from streaming only. Whereas from 2014-2018, songs gained good revenue from downloads and streaming. Older songs showing up with part of their revenue source greatly reduced means a lot more.
Section III
In this last section, I wanted to highlight the small number of songs that charted in the top 100 of Gaon in 3 separate years:
- BTS – IDOL (2018-20) [continuous]
- BTS – Spring Day (2017-20) [continuous, still charting]
- BTS – Boy with Luv (2019-21) [continuous, still charting]
- BTS – DNA (2017-2019) [continuous]
- BTOB – Missing You (2017-2019) [continuous]
- Wanna One – Energetic (2017-2019)
I hope that this post is informative about 1 reason why certain songs are said to be bigger hits than others, because there are multiple reasons why.