How would the Akmu album do in spotify?

  • KPop has been under a strange condition when someone who did not contribute anything to KPop became its senior singer and benefitted from KPop's success in general, although she belately released some Kpop songs finally in 2021.


    With BTS growing by leaps and bounds, IU's rule weakened but she still has some following in spotify. Someone told me she is #5 in the yearly Kpop ranking, which is remarkable for a domesticist.


    Since IU has gained some foreign following, it remains to be how Akmu will do to decide the fate of domesticism in Korea.


    Akmu is probably the only credible successor to IU now, since Bol4 has entered a long hiatus following the departure of its less prominent member, whose departure was more important than a lot of people though.


    If Akmu fails this round, which means IU will be honored as a senior singer and will be 'grandmothered in' and tolerated but the tradition of vocalism, domesticism and isolanitionism will die with this album.


    Akmu knows the stake and has enlisted the help of IU, Lee Sunhee and others.


    If Akmu loses this battle, that is basically the swan song of domesticism and how it does in Melon is less important than how it does in spotify.


    Lee Jieun will be allowed to exist, I have said already, but domesticism will end, being reverted to the same status as trot which few foreigners give a shit about.

  • Ho hum... yet another wistful speculation about IU's downfall/marginalization.. like a clockwork.. whenever anything remotely associated with IU happens.


    Are you keeping count of how many times you have made such predictions.


    Yet the Senior Singer keeps releasing and succeeding fantastically.


    I almost think that it is your predictions of her downfall that guarantees her success.

    So is fun..


    Still like the broken clock being right couple of times, one day she will recede and you can proclaim your successful prediction.


    Keep changing the goal posts - Melon, MAMA, Spotify...

    As long as there are Koreans who appreciate their own culture, domesticist or trottist will not go away.


    I fans are merely a bonus, a side dish. Even with global spread of English, Western products, cultures remain distinctive and can't be wished away.


    Some cultural outputs for sometime can transcend, but they will be exceptions and not the norm.

    Edited once, last by bbgc ().

  • I dunno about the downfall of domesticism, even without IU, i still see WAY TOO MANY boring, generic, rehashed OSTs, acoustic ballads, Yoo Jae Suck projects, and all that other nonsense cluttering up the Melon Charts.


    At any given time, the top 10 of Melon should be 90 percent Kpop and 10 percent boomer songs.


    Right now, July 21, if Korean listeners had any taste, this would be the top 10 on Melon:


    1. Next Level

    2. Lovesong

    3. Alcohol Free

    4. Beam Beam

    5. Weekend

    6. Paint the Town

    7. Mafia in the Morning

    8. Dun Dun Dance

    9. Chi Mat Baram

    10. Insert rando boomer song

  • If domesticist don't matter and only catering to ifans, then there would be no Koop in the first place.

    Because everyone would be happy listening to American pop, as i-pop.


    By the simple fact that Kpop exists, it proves that art tied to local cultures can never be marginalized.

  • What AKMU does now will decide how future domesticists will fare in the spotify era, so it is important

  • The world fans will only see Spotify anyways and what happens in korea is now less relevant

  • If domesticist don't matter and only catering to ifans, then there would be no Koop in the first place.

    Because everyone would be happy listening to American pop, as i-pop.


    By the simple fact that Kpop exists, it proves that art tied to local cultures can never be marginalized.

    In the old days, no one thought KPop would work outside of Korea. I believe it was Sooman Lee himself who thought about expanding to overseas, and from then songs catering to potential Ifans began to be created.


    Now, the gap between the domesticist genre and the kpop genre is very big. And the leader of the domesticist had been treated as part of KPop for so long, and AKMU has also ridden on KPop's coattails.


    But now Spotify will decide how popular these domesticists are to the ifans. IU more or less proved herself, but it is just her and AKMU's new album will decide how much the ifans really like the Korean domesticists.

  • In the old days, no one thought KPop would work outside of Korea. I believe it was Sooman Lee himself who thought about expanding to overseas, and from then songs catering to potential Ifans began to be created.


    Now, the gap between the domesticist genre and the kpop genre is very big. And the leader of the domesticist had been treated as part of KPop for so long, and AKMU has also ridden on KPop's coattails.


    But now Spotify will decide how popular these domesticists are to the ifans. IU more or less proved herself, but it is just her and AKMU's new album will decide how much the ifans really like the Korean domesticists

    Neither would have western labels thought pop can succeed in Korea.


    No enterprise thinks globally immediately, they first care for the immediate market and then scale.

    And even after scaling, they would be utterly foolish to neglect the home markets.


    I fans will always be less in numbers, in influence and in stickiness, compared to home-culture.


    So you can keep peddling the pointless importance of ifans.

    Even BTS can't afford to neglect Koreans.


    Let's say they release only English songs for an entire year, and then see how they fare only with i fans.

  • Both butter and ptd are english songs and with two releases I don't see it releasing another this year

  • Koreans have taste so, this is Melon right now


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    >>> 2022.06.10 <<<IMG-4283.jpg

  • why are there so many passive aggressive users towards IU these days..


    I dont like 80% of her music but stop downplaying her lmao

    Well WhyKnock 's claim to fame is dissing on IU, with the eccentric theory that she singlehandedly held back/holds back the universal domination of Kpop.

    Therefore hoping that everything event, sneeze that happens, causes her defeat, retirement whatever.


    WK wants K-pop to be an entirely 'export oriented' industry, by koreans, but not for koreans.

    Dislikes Koreans keeping IU on the top of the charts and apparently that makes foreigners think less of Kpop.


    So you can't expect anything else on Whyknock's threads.


    Still there is not explicit abuse or trolling of IU. Just crackpot theories.

  • yeah but OP isnt the only one I have seen 2 around more doing the same

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