I hate to say it, but aespa really fumbled 2025

  • Do you think aespa gained, lost or maintained momentum this year? 61

    1. They lost (38) 62%
    2. They maintained (20) 33%
    3. They gained (3) 5%

    Maybe I should be saying SM instead, but I digress, what a wasted opportunity.


    After a career best year in 2024, and with the reigning generation queens on a forced indefinite hiatus, the stage was set this year for aespa to deliver the knockout punch.


    If they had a year to match or even surpass 2024, comparable to peak IVE or NewJeans, even I couldn't say anything or make a thread like this, but in terms of both statistics and impact it's been rather...mid.


    Numbers wise, we don't need to revisit the disaster of their attempts to finally gain traction in the West and appear on the Billboard Hot 100 (paging icyruios ), but domestically their music simply wasn't as well received as the Supernova/Armageddon/Whiplash trio.


    Hey, it happens, but my point is that it's a waste of prime opportunity to indisputably establish themselves as the new standard of dominance.


    Outside of the numbers, Karina had a massive scandal in Korea (beware the color red and peace signs during election season), while the whole group was under siege in Western communities for their GMA performance.


    I don't think SM pulled the right levers or pressed the right buttons this year. To me, it's a strategic failure.


    Maybe 2024 was simply an outlier year and set the bar too high.


    I guess I'll poll this though. Anonymously.

  • i don't even think it's in sm's interest to push aespa this year. they needed the last year push i guess to get a better rep and sell sm at a better price to tencent or smth. but now that it's done, they took the risk to literally sabotage aespa or at least limit their growth for the benefice of h2h.


    aespa is on their 5th year and their contract will expire in 2 years, sm probably think they need to make their new gg go big before that happens.


    why they're so greedy and adament of doing it in the first year of their debut is still wierd, i guess the industry has become more fast paced but i feel like they need to dim aespa over dominaring light a bit to allow their rookie group to shine and have their dominant breakthrough idk.


    that's how usually sm operates, they make some scandals of their older ggs who's contracts are expiring and push their rookie ggs more right after.


    everytime these aespa scandals happened this year, sm bounced up pretty fast too, like they debunked the maga sh*t with the presence of the blue items in karina's insta posts (curiously both colors were present :sweat: ), they send back up dancers after the gma debacle etc...


    it's like they want to weaken aespa's popularity but NOT TOO MUCH. because they can't take such a risk, what IF h2h flops?


    moreover i'm pretty sure these hate trains were primarly instigated by hybe tag pr, and hybe was also on a mission to break aespa's shine cause they got TOO BIG, step on them and redore their ggs images. just typical but very nasty hybe sh*t yk :rolleyes: .



    i just think this was never gonna be aespa's year anyway.


    the girls still did well and depending of how h2h is gonna perform this comback, sm's strategy is gonna have to adapt again.


    if they flop, maybe sm will have to treat aespa better? i'm pretty sure with another bop, they will dominate sk/asia again with ease. they will need more push for the western market tho.


    i personally hope njz are gonna comback next year, and both group will deliver quality and impact as well :excited-bee: !


    but with this lagging of in 25, aespa won't have the full advantage of their extremely dominant 24 and nj being gone for so long anymore. so i guess, their underperformance this year also benefits njz in some way :eyes: . aespa won't take the advance they could have.


    but both group's peak 23 and 24 is still on the mind of the gp. so they just need good songs to dominate the market again. NJ as this gens leaders (more global) and aespa the second leaders (more asia).


    ANYWAY STAN AEJEANZ, BEST GGs, BEST GURLS :meme-elmo-fire:.

  • :meme-confused:

  • Considering that there was the huge disaster named KPop Demon Hunters, they held their ground. Not great, but not as badly as the former owner of Edam entertainment.

  • Agreed, they lost and wasn't able to maintain. 2024 might've been a fluke because everything went right for them tbh. I don't think they did a good enough job to maintain because quality of music took a serious decline, and too many controversies.

  • Agreed, they lost and wasn't able to maintain. 2024 might've been a fluke because everything went right for them tbh. I don't think they did a good enough job to maintain because quality of music took a serious decline, and too many controversies.

    Agreed.


    The 2024 songs were honestly at least two tiers better than the 2025 songs, especially Rich Man. And SM's strategy to finally make impact and grow in the West, specifically the U.S., were awkward and clumsily executed.

    ive streams looked even more fraudulent, maybe people should focus on them too uh?

    :meme-bonk:


    I'm almost positive that user is an Once, and you're in here shading IVE

  • lol no it didn’t stop lying lmao. Anyway IVE looks like they will surpass Aespa on melon in the next few weeks even though their song is a month older. Thoughts?

    what do you even mean in your first sentence :meme-what:

    'nyway, surpass where? all aespa songs are outperfoming ive lol. and they have 3 songs in the top 15 :pepe-joy: .


    anyway i don't even trust starsh*t, they're shady af, i feel like starsh*t is just another hybe but with a smaller d*ck but hybe still has a smaller d*ck energy smh. so more nasty, evil, you name it :meme-stare: ...

  • Agreed.


    The 2024 songs were honestly at least two tiers better than the 2025 songs, especially Rich Man. And SM's strategy to finally make impact and grow in the West, specifically the U.S., were awkward and clumsily executed.

    Honestly, they could have recovered if Rich Man was a better song or had better choreography. There's been many songs that were saved because of the performance and Rich Man had no chance of doing that for them. Just look how Katseye performance for Gnarly saved that song and improved their reputation. The choreography for Richman being bad and did a lot of damage to them. I think many will have in their minds the GMA performance looking like a mess. Also doesn't help some idols were executing the challenge better than them.


    I think SM needs to go back to the drawing board because they can still recover. I just think this was the year to solidify their spot, but they didn't leave their mark,. Maybe I'm wrong, but I I don't think they'll make any grounds in the US market. I just don't think SM understands the market to make it happen, and we never know what can happen with renewal. Like we don't know if there's better opportunities for certain members if they go solo.


    Anyway, this was their window to solidify themselves as "the" group and they fumbled

  • The Hearts2Hearts argument only makes sense if SM has some sort of limited resource that they had to divert to H2H, but I can’t figure what that resource might be :thinkerpepe: it’s certainly not money, nor is it song writers as they buy songs from European writers.


    The way gens work now, with them all overlapping each other, it should have been obvious they wouldn’t be playing in the same ballpark. Artificially holding Aespa back, gains h2h nothing.

  • The Hearts2Hearts argument only makes sense if SM has some sort of limited resource that they had to divert to H2H, but I can’t figure what that resource might be :thinkerpepe: it’s certainly not money, nor is it song writers as they buy songs from European writers.

    The limited resources are profit margins (for a first year and fifth year) and negotiating position (for a group or members they want to renew as cheaply as possible vs people just starting on their rookie contracts).

  • The Hearts2Hearts argument only makes sense if SM has some sort of limited resource that they had to divert to H2H, but I can’t figure what that resource might be :thinkerpepe: it’s certainly not money, nor is it song writers as they buy songs from European writers.


    The way gens work now, with them all overlapping each other, it should have been obvious they wouldn’t be playing in the same ballpark. Artificially holding Aespa back, gains h2h nothing.

    It’s less about all that and more about their brand. They are only relevant as a brand if their newer groups succeed


    (In their minds and this may or may not be true) there is probably not much more to gain financially with Aespa by promoting more. E.g after a point group will always get a certain size of tour and album sales regardless of how much ever they are promoted.


    Now by promoting H2H SM will unlock a whole new potential for album sales and touring aka source of revenue

  • I can smell a certain MY coming in here to cry wolf

    He's 100% going to duck this thread. He never wants the smoke when it's obvious he can't easily argue aespa's superiority.


    I did warn him in 2024 that it's way too soon to start bragging and going after other girl groups and their fandoms.

  • He's 100% going to fuck this thread. He never wants the smoke when it's obvious he can't easily argue aespa's superiority.


    I did warn him in 2024 that it's way too soon to start bragging and going after other girl groups and their fandoms.

    Imo, MYs shouldn't even be getting so cocky about aespa's dominance when it could only be achieved after the strongest 4th gen ggs were put down.

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