Japanese entertainment industry voices concern about the potential Japanese talent exodus to Korea

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    JYP Entertainment's international audition program, 'Nizi Project: Season 2,' has achieved significant success in Japan. In the newest chapter of the 'Nizi Project' series, the show features JYP and Sony Music Entertainment's collaboration to debut a fresh boy group.


    In the first season that aired in 2020, the show birthed the sensational girl group NiziU, which has since risen to become a massively influential Japanese girl group.


    However, this success has triggered concerns, particularly among figures in the Japanese entertainment industry, including an idol-turned-panelist on a Japanese TV program.


    Recently, Tokyo Communications TV's YouTube channel featured remarks from a Japanese panelist, a former idol who voiced apprehensions about the potential talent drain from Japan to Korea through projects like the Nizi Project forming NiziU.

    The panelist's identity, masked as 'Panelist A,' suggested that Japan's entertainment industry might be struggling to uncover talent that can rival their Korean counterparts on a global scale, using 'Nizi Project' and NiziU as case studies.


    "I believe Japan's accelerated dependence on the Korean entertainment industry may make it nothing more than a strategic outpost for talent sourcing," said Panelist A.

    He voiced uncertainty about achieving such success within Japan's current entertainment landscape. He added, "Even if a Japanese child wants to become a global idol or artist, it would be impossible through a Japanese agency. But if they go to a Korean agency, they might be able to achieve it."


    He also pointed out the increasingly common occurrence of individuals who, after failing to secure a place in Korean agencies, find themselves rebuffed into pursuing careers in Japanese entertainment agencies.


    This commentary has increased focus on the long-standing structural challenges within the Japanese entertainment industry. These hurdles have persisted since the industry's golden years in the early 2000s.

    This topic resonates with many, notably due to the international success experienced by Korean idol stars like BTS. Korean netizens weighed in on the discussion, with some expressing their sympathy and agreeing with Panel A’s remarks, while others stated that Japan's idol training system is a mess.



    Japanese entertainment industry voices concern about the potential Japanese talent exodus to Korea
    JYP Entertainment's international audition program, 'Nizi Project: Season 2,' has achieved significant success in Japan. In the newest chapt…
    www.allkpop.com

  • Japan's issue is kinda a catch 22.


    Their insane copyright and high music costs are also the reason they're not exporting as much as other countries in music.


    Which is kinda ironic because both of those things are why Music in Japan never got hit with the global slum everywhere else experienced.

  • Aside from copyright issues, idols go through alot more abuse in jpop. Just imagine how bad it is in kpop and times it by a factor of 100.


    They make high schoolers do lingere and bikini shoots.

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  • If they want to go global then they should at least try to their music accessed like Anime/Manga/Kpop/Kdrama did.

    Quote

    Aside from copyright issues, idols go through alot more abuse in jpop. Just imagine how bad it is in kpop and times it by a factor of 100.

    Is many Jidol song popular nowadays?

  • Aside from copyright issues, idols go through alot more abuse in jpop. Just imagine how bad it is in kpop and times it by a factor of 100.


    They make high schoolers do lingere and bikini shoots.

    Jesus.

    Internacional fans are vocal about these issues, it might have positive effect on the industry. It might not, who knows. But i don't see international fans supporting minors in lingeries. Gross

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