Posts by Fluffers
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As of Yesterday KST, 1 day ahead of the official release, JYP has revealed that Nayeon has 500k preorders for her debut
Source: https://n.news.naver.com/enter…ow/article/311/0001466263
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Why should the average listener care about difficulty? If the vocals work, they work.
A fancy kick doesn't necessarily hit harder just because it's more difficult to pull off.
A convoluted guitar solo isn't necessarily better just because it's more difficult to pull off.
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That is literally my point
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Strong vocals != difficult vocals
Idle have strong vocals, but they don't have terribly difficult lines. It's just that have a very rich vocal colour that enhances their music.
I-dle does not have strong vocals. They have decidedly average vocals. Average aint bad for Pop cause nobody is looking to most Pop singers for someone who could match the Opera.
Most people can't tell strong vocal technique. So unless the pop song actually calls for something vocally difficult, there's no discernable difference to your average listener.
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Strong vocals don't matter.
Look at the hits of this generation.
Hell look at the hits of the last generation.
You can count on 1 hand the songs that are vocally difficult to pull off.
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Yknock put on notice.
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I feel like being granular over numbers of what is or isn't a hit is being pedantic for the sake of it.
Like sure a number can give you a threshold for what's a big song or not, but do you really think your average person considers the numeric value of one song that's played everywhere vs another song that's also played everywhere?
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I doubt either track is paritcularly bigger than the other. Like by both's end points I expect they'll both be around 1billion gaon and at that point it's basically just splitting hairs over which is "more popular" in that sheer amount of permeation.
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They're not even subtle with it.
Like no one is gonna fall for such flagrant bait.
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if that's the case, why is Dispatch doing ot5 photoshoots a month later?
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I don't think it's an issue when they make it a specification that you can do it.
But doing it of your own volition indicates a level of familiarity that you are not owed by them.
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The issue is the optics of using this much water when regions of your country are experiencing a drought.
It comes off as being tone deaf to issues impacting your fellow country men
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Melon TOP100 22:00
24h&1h ULs#1 (=)
TOMBOY - #GIDLE
377,350 (+592) (Peak: 551,140)
25,666 (-3,381)#2 (=)
LOVE DIVE - #IVE
366,284 (+850) (Peak: 470,544)
26,087 (-2,597)#3 (=)
That That - #PSY ft. #SUGAofBTS
359,209 (+1,018) (Peak: 511,292)
23,822 (-3,133)cause Tomboy's streaming ratio is like 4 points ahead of Love Dive's
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Should have died in the pandemic.
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I mean, the decrease knda coincides with Japan's adoption of digital media (which was Japanese music market fears.)
A big reason why Japan managed to keep its impressive #2 spot for decades was because they knew how to hold on to physical media which allowed prices to remain high. Streaming and downloads directly caused a dent in that when it came to a lot of countries. There was a not insignificant period of time when South Korea's physical market absolutely cratered and piracy was so rampant that SK's digital market is still feeling the echos of that.