UPDATE: He apologized after getting dragged hardcore. Still doesn't make what he said right bc none of it was actually taken out of context unless he's accusing the people who wrote the article/the interviewer of lying.
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something tells me he wouldn't have clarified if he hadn't been called out....
anyways here's more fun:
you just KNOW it's bad when you have jack antonoff pissed off at you
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op below
DISCLAIMER: HE HAS MADE SEXIST COMMENTS IN THE PAST, THIS DOESN'T JUST FLY OUT OF NOWHERE!!!
bold of him to assume we know who the fuck he is. but even worse to make claims like this and then get slammed by a critically acclaimed #1 artist.
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the ratio omfg
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just shows that people on ANY platform have the ability to be toxic, rude, and repulsive when taking down successful female artists. the discrediting of female artists, especially Taylor, is getting so old, even on here. a little off topic: this applies to any female artist- it will never not be so embarrassing and dumb when people act like they're vocal coaches/experts and use that to start bashing. you're not. you're an asshole behind a computer with horrible morale.
back on topic, i'm glad she stood her ground, it really is something when people speak on a topic they know nothing about.
also him getting dragged to filth is fucking hilarious.
observe:
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i even found some fellow bangswifties lurking!
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in her wise words:
"At that time I couldn’t understand why this wave of harsh criticism had hit me so hard. I believe a popular headline back then was, ‘A Swift Backlash,’ which is clever, you gotta give it to ’em. And now I realize that this is just what happens to a woman in music if she achieves success or power beyond people’s comfort level. I now have come to expect that with good news comes some sort of pushback. But I didn’t know that then.
So then I decided that I would be the only songwriter on my third album, Speak Now, and that I would tour constantly, work on my vocals every day, and perfect my stamina in a live show. I decided I would be what they said I couldn’t be. I didn’t know then that soon enough people would decide on something else I wasn’t quite doing right, and then the circle would keep going on and on and rolling along and I would keep accommodating, over-correcting, in an effort to appease my critics."
oh and let's not forget:
"Yet to this day none of these investors have ever bothered to contact me or my team directly. To perform their due diligence on their investment. On their investment in me. To ask how I might feel about the new owner of my art. The music I wrote. The videos I created. Photos of me, my handwriting, my album designs. And of course, Scooter never contacted me or my team to discuss it prior to the sale or even when it was announced.
I’m fairly certain he knew exactly how I would feel about it though. And let me just say that the definition of the toxic male privilege in our industry is people saying, ‘But he’s always been nice to me,’ when I’m raising valid concerns about artists and their rights to own their music. And of course he’s nice to you. If you’re in this room, you have something he needs."
👀
grown adults are out here stuck in 2016. smh.