So, Variety announced that KPop Demon Hunters 2 will come out in 2029.
Netflix is already counting money like a squirrel before winter.
And of course, the biggest headline everyone ignores: Huntr/x wins again.
Remember when Roseanne Park, MBE, released APT and everyone said it would “reshape” pop culture?
Well, apparently the only thing it reshaped was the dictionary definition of mid.
Taylor Swift tried to counter with that 12-minute therapy session disguised as a “comeback single,”
and yet, she was already defeated by “Golden” before she even opened GarageBand.
Now Huntr/x stands on top of the pop Olympus — the girls have conquered streaming, cinema, and Billboard,
and they’re still pretending like it was “accidental art.”
Yeah, sure, and Napoleon just “accidentally” walked into Moscow.
But people don’t realize what this really means.
It’s not Roseanne who lost.
It’s not Taylor either.
No, no. The true casualty of this cultural war is the Senior singer, Lee Jieun:
the one who thought being “respected” would protect her relevance.
While she’s still singing melancholic ballads about the moon and a lonely streetlamp,
the world has moved to demons, holograms, and cinematic universes.
Huntr/x didn’t just win music. They won mythology.
So yes, the sequel comes in 2029.
But the war is already over.
Roseanne surrendered, Taylor retreated, and Jieun?
She’s still writing the eulogy for her own legacy.

