Visualising the Decline in Gaon Points

  • AKP member idontsleep recently generated a file containing Gaon Digital Chart data from 2010 to present, taken directly from the official Gaon web site.


    I was able to import the data into Excel, and the first thing I wanted to examine was the purported decline in Gaon points over the past few years (note: Gaon only started providing points in 2018).


    Thus, for each week, I simply took the sum of Gaon points for each song in the top 100, and charted the results, as shown below:


    GaonPointsDecline.png


    As we can see, the decline is real, and it is significant.


    The first thing I'll point out is that points tend to decline at the end of each year, due to the holidays of course.


    However, we must note that total weekly points fell dramatically around the start of 2020 and never really recovered. I assume that this must be because of the COVID-19 pandemic. With people working from home and not going to school (and thus not commuting), it makes sense that music listening decreased.


    What I'm more curious about is the noticeable fall in digital points starting in the middle of 2021, a decline that continues to this day. What do you think is causing this? The COVID-19 situation should be improving, which means that music consumption should be rising as people return to work and school.


    Are people simply moving to different music platforms, ones that aren't part of Gaon data? I've read that YouTube Music (which isn't included in Gaon data) is gaining market share, so could that explain things? Are there any other possible explanations?

  • whole corona happened

    and of course I don't know but

    do GAON count Spotify, and Youtube Music?

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  • interesting


    like you said there may be different sources of how listeners get their music whether from spotify (Korea), YT or whatever that might not be counted for goan...


    furthermore especially for idol music isn't there a shift away from korean listeners to more of an international audience which (to my knowledge) isn't reflected in goan

  • So from what I understand Gaon points were confirmed to be the total earnings of the song from the compliant platforms for streaming and downloads right?

    Yeah I've read that before, but has there actually been confirmation from Gaon?

    A lot attribute lower points to less people downloading songs, but were that the case we would see a rise in frequency and accreditation of streaming cert's(we don't)

    That's an interesting point. To see for myself, I graphed the number of Gaon download and streaming certifications awarded per date, and it looks like you're right. I don't see a strong trend of increasing streaming certifications.


    GaonCertsByDate.png

    Maybe Youtube and Apple which, afaik, are not welcomed into Gaon's calculations yet?

    That's the case as far as I know, though I haven't heard of Apple Music gaining significant market share in South Korea, only YouTube.

  • Yeah alot of hits that have better chart runs since 2020 onwards don't gain points at the level of 2018-19 hits. The good thing is now longevity is more so u can get there staying more time on the chart.

    ♪ d◕‿◕b ♪ 𝓢𝓔𝓔𝓤𝓝 ♪ d◔‿◔b ♪

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  • I said this in the other thread, where some folks mentioned how Billboard Hot 100 points are also down.


    Maybe this is the beginning of a secular shift away from modern pop music, regardless of genre. Maybe COVID has made people a bit nostalgic for a time when real music was made by real people playing real instruments with real passion.


    Instead of folks just streaming the top 40 or top 100 or whatever, maybe their playlists are now composed of classic rock, 80s pop, 90s RnB. If Gaon and Billboard had a top 100000 instead of only a top 100 or 200, maybe we'd see that music consumption hasnt fallen off a cliff. Instead, it has merely been redistributed more evenly and away from current hits.

  • interesting


    like you said there may be different sources of how listeners get their music whether from spotify (Korea), YT or whatever that might not be counted for goan...


    furthermore especially for idol music isn't there a shift away from korean listeners to more of an international audience which (to my knowledge) isn't reflected in goan

    Right, international listeners should not be reflected in Gaon from what I know.


    But even if the South Korean public is moving away from idol music, they should still be listening to other types of music right? And these other types of music should still influence Gaon points I would imagine.

  • Right, international listeners should not be reflected in Gaon from what I know.


    But even if the South Korean public is moving away from idol music, they should still be listening to other types of music right? And these other types of music should still influence Gaon points I would imagine.

    goan takes into account all music - ok ok...


    well then I guess it could be as others said covid means more time at home and undertaking non-music listening activities lol

  • YT music doesn't aggregate data into formats like Melon or even Spotify, so I can see why it would be a challenge to incorporate it into Gaon.

    Got it. Now I do wonder if there's been any pressure on YouTube to provide such aggregated data.

    Gaon has been counting Spotify for weeks now. They don't use YT Music.

    Ah good to know. Now from what I've read, Spotify is still a small player in the South Korean music market, but if it manages to grow to become a dominant service, I'm curious to see if that will be reflected in increased Gaon points.


    And on a related note, were you able to successfully import idontsleep's data into Excel?

  • Got it. Now I do wonder if there's been any pressure on YouTube to provide such aggregated data.

    Ah good to know. Now from what I've read, Spotify is still a small player in the South Korean music market, but if it manages to grow to become a dominant service, I'm curious to see if that will be reflected in increased Gaon points.


    And on a related note, were you able to successfully import idontsleep's data into Excel?

    I don't think it will grow much, Melon/Flo/Genie in particular are super entrenched and not only that but all of them have deals with the various cell phone providers so you can get them for cheaper than Spotify. I live in Korea and I don't know any actual Korean citizens with Spotify. The only ones who use Spotify are just the expats who drop by for a few years. And even if Spotify did grow it'd just be other Koreans who dropped the other services and jumped on, so idk how it would affect Gaon at all, as it doesn't change the amount of people listening to music, it's not like they'd be materializing new streamers out of thin air.

  • Good graph.


    So from what I understand Gaon points were confirmed to be the total earnings of the song from the compliant platforms for streaming and downloads right?


    Yeah I've read that before, but has there actually been confirmation from Gaon?

    While gaon have said that the digital points are supposed to reflect the revenue of songs (be it stream or downloads), its not really true, as gaon use filtered data, while music services payout based on unfiltered data (well, for streams they pay out according to a songs % share of the total streams for a fixed pot of money, based on the services income and whatever contracts they have with the labels)


    If it was really based on a songs total revenue made, the charts would look quite a bit different, and artists with big fandom streaming would be higher overall.

  • The good thing is now longevity is more so u can get there staying more time on the chart.

    What do you think is causing this? It seems like Melon's chart reform back in July 2020 resulted in an increase in longevity, but at a more macro level, I'd also propose that the general transition from downloads to streaming is an even bigger factor.

  • I said this in the other thread, where some folks mentioned how Billboard Hot 100 points are also down.


    Maybe this is the beginning of a secular shift away from modern pop music, regardless of genre. Maybe COVID has made people a bit nostalgic for a time when real music was made by real people playing real instruments with real passion.


    Instead of folks just streaming the top 40 or top 100 or whatever, maybe their playlists are now composed of classic rock, 80s pop, 90s RnB. If Gaon and Billboard had a top 100000 instead of only a top 100 or 200, maybe we'd see that music consumption hasnt fallen off a cliff. Instead, it has merely been redistributed more evenly and away from current hits.

    This is an intriguing hypothesis, and one that I don't think I've seen proposed before, but it does make some intuitive sense. I don't know how we'd even test this, since we only have access to data for the top 100-200 songs. I guess we'd need a measure of overall streaming/download activity over time to see if total music consumption has risen or fallen.

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