Like Crazy by Jimin gets 970k plus streams in US on 2nd day too, rising to top 5 on US Spotify!!! Where is the TTH playlisting????

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    Edited once, last by paradis ().

  • paradis

    Changed the title of the thread from “Like Crazy by Jimin gets 900k plus tsreams in US on 2nd day too, rising to top 5 on US Spotify!!! Where is the TTH and playlisting????” to “Like Crazy by Jimin gets 970k plus streams in US on 2nd day too, rising to top 5 on US Spotify!!! Where is the TTH playlisting????”.
  • this is a gross oversimplification of how things work

    The music industry in general is very simple really, its gotten even less complicated the last 10 years or so with the rise of spotify. What are these complexities are you referring to? Remember all the warm and fuzzy love BTS / Bighit received first arrived in the states with their "Radio" promotions that now relates to a whopping 10 or so spins or whatever they get today as an established artist. Yet somehow an artist never heard from or seen before publicly emerges that every radio station everywhere is suddenly aware of all at at the same time? You can guess the artist and label, btw. I was being told she was just random girl singing in the bedroom at night.

  • The music industry in general is very simple really, its gotten even less complicated the last 10 years or so with the rise of spotify. What are these complexities are you referring to? Remember all the warm and fuzzy love BTS / Bighit received first arrived in the states with their "Radio" promotions that now relates to a whopping 10 or so spins or whatever they get today as an established artist. Yet somehow an artist never heard from or seen before publicly emerges that every radio station everywhere is suddenly aware of all at at the same time? You can guess the artist and label, btw. I was being told she was just random girl singing in the bedroom at night.

    I'm very aware of all the lore of how stars and born, bred, and promoted in the West. Obviously there's been times where HYBE was willing to benefit from much heavier promotion styles (Columbia-led) which gave them incredible results. The more interesting question is why they have so much trouble navigating this on their own (well, "with Geffen"), and for SUCH a GP-friendly bop in this case to go without a real push towards casual listeners would be very disappointing.


    That said I have a strong feeling we're going to see it on TTH shortly.

  • I'm very aware of all the lore of how stars and born, bred, and promoted in the West. Obviously there's been times where HYBE was willing to benefit from much heavier promotion styles (Columbia-led) which gave them incredible results. The more interesting question is why they have so much trouble navigating this on their own (well, "with Geffen"), and for SUCH a GP-friendly bop in this case to go without a real push towards casual listeners would be very disappointing.


    That said I have a strong feeling we're going to see it on TTH shortly.

    There is a reason why Columbia backed Dynamite and Butter both on radio and spotify, etc. Those songs were in basically in-house productions, even the CEO had writing credits on Butter. Columbia had all to gain from that collaboration since those were their songs and they were distributing. HYBE and BTS made pretty much nothing from those songs directly and had little to no involvement on production / writing. Those songs essentially were promotions for BTS the group. All BTS and HYBE got from that was the residuals of that deal (that paid big dividends in the end). They essentially sold their creative and financial souls for those tracks. The promotion tactic used here is Columbia makes most of the money and hopefully HYBE / BTS benefit. Let's not get it twisted that those were "BTS" songs being used here.


    Like I mentioned in a previous post earlier in another trend. Payola cost artist money, and more money for those outside the big 3.

  • There is a reason why Columbia backed Dynamite and Butter both on radio and spotify, etc. Those songs were in basically in-house productions, even the CEO had writing credits on Butter. Columbia had all to gain from that collaboration since those were their songs and they were distributing. HYBE and BTS made pretty much nothing from those songs directly and had little to no involvement on production / writing. Those songs essentially were promotions for BTS the group. All BTS and HYBE got from that was the residuals of that deal (that paid big dividends in the end). They essentially sold their creative and financial souls for those tracks. The promotion tactic used here is Columbia makes most of the money and hopefully HYBE / BTS benefit. Let's not get it twisted that those were "BTS" songs being used here.


    Like I mentioned in a previous post earlier in another trend. Payola cost artist money, and more money for those outside the big 3.

    And still BTS's popularity skyrocketed and HYBE had their highest profits ever. Also super curious how HYBE's "concerns" about K-pop's "growth slowing down" will impact their future promotion styles and decisions on how they budget for releases. Their stubbornness and unwillingness see what's right in front of them is amazing but also incredibly frustrating.


    TLDR: HYBE, Like Crazy is a hit, a real hit. Do something about it.

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