https://magazine.weverse.io/article/view?lang=en&num=150
INTERVIEW
JUNGWON “It’s better to create positive energy”
ENHYPEN BORDER: CARNIVAL comeback interview
2021.05.08
JUNGWON spoke calmly about all the effort that went into the new album, BORDER: CARNIVAL. Practice, sweat, review, improve, and repeat—all of this comes from “no other reason than a desire to perform flawlessly.”
I heard you went to school today before the interview. How’s that going?
JUNGWON: My school has a lot of singers because it’s an art school, so people at my school aren’t blown away by what I do. JAY has a fan there, though. It’s fun to see them calling out his name. (laughs)
You got four best new artist awards and over 450,000 preorders for the new album.
JUNGWON: More preorders than I could’ve imagined. (laughs) I think it’d feel more real if we could have a concert or see our fans in person, but since it’s just a number it still doesn’t feel real. But it makes me feel good anyway.
You had said in an “-note” that there were parts of your debut album you weren’t completely satisfied with. Do you feel you made up for that with this album?
JUNGWON: We didn’t have a lot of time to prepare for the last album, so there are a lot of things I wish we could’ve done better. For “Given-Taken,” there was a big difference in quality between the individual and group ability in both the music video and TV performances. We had a little more time to get ready for this album, so we look better prepared in the music video. I think we mostly made up for last time.
In an interview with Dazed, you said you learned a lot from how relaxed some of the more experienced artists looked at the year-end 2021 NEW YEAR’S EVE LIVE concert.
JUNGWON: Their performance was relaxed, but so was the way they talked. I was surprised—when RM talked, he was so comfortable, like he was alone in his room.
Didn’t you also post a photo of you with SOOBIN from TOMORROW X TOGETHER after the concert?
JUNGWON: All of them are so kind and take care of us when we do an event together. And SOOBIN sent me a direct message on my birthday saying happy birthday and asking if it was hard being the leader. He made my day.
How was shooting the concept photos? There’s lots to see, like you skateboarding, wearing masks, and grabbing jelly fruit cake.
JUNGWON: The shoot for the album art was really hard this time. The HYPE version was really hard. We used real whipped cream. And when I grabbed the cake, the jelly oozed out (pointing to elbow) down to here. It got really sticky.
It may have been hard, but the hazy vibe in the HYPE version looked great. Is that the feeling you were going for when you stumble out from the center at the start of “Drunk-Dazed”?
JUNGWON: As the performance director told me, the song is called “Drunk-Dazed,” so I tried to look drunk and confused at the beginning and wanted to keep that feeling for the other parts too. We tried to seem confused and drunk because of the concept, but we’ve never experienced that before, so it’s actually still a bit hard and I don’t think we have it 100% down yet. So I think we have to keep trying to make it better.
I imagine you had to practice a lot to look confused and to sing the higher notes.
JUNGWON: Me and the members all improved while recording “Drunk-Dazed” since the notes are so high. The director told me that singing live and singing on a recording are different and to use my dynamic range when recording, so I’m trying my best to broaden my vocal range. HEESEUNG has great vocals, so I asked him for advice a lot. The vocal chords are muscles, too, so they got better by using them more. So while it was hard even to record at first, later I could even do it live. Like with everything, repetition was the most important part.
I’m sure you must’ve been worried about performing “Drunk-Dazed” live because of the high vocals and intensive choreography.
JUNGWON: I was most worried about doing the part where we jump during the chorus live. When we tried the choreography from beginning to end for the first time, we thought just dancing to it was already exhausting. There was still some talk about how we were going to manage the live performance. It was difficult perfecting the group dance because of how extreme it is. We took a lot of lessons with our instructor when we learned “Given-Taken,” but this time we made a promise among ourselves to get our timing just right. We got it by working together; I think it was a lot of help.
Unlike the lead single, “FEVER” sounds more like an R&B song. What kind of feeling were you going for with the vocals?
JUNGWON: When I first heard the demo version of “FEVER,” the vocals were so good and seductive that I did the parts I could and talked to the producer about the rest so we could change it a little to suit me better. I focused on adding little touches to my vocals like the vibrations and my breathing.