TWS “Plot Twist” surpassed IU “Love Wins All” and reached #1 on Melon Yearly Chart | First & Only 4th-5th Gen boygroup (debut) song to reach #1 on Melon Yearly Chart
-
-
Even if it were true, how is that relevant to them having the number one song? Only famous people can have hits?
Actually, it’s true, Fifty Fifty released a hit, but to be honest, they only found out about it half a year later. TWS flew into the charts from the first days, then evidence of payola was provided in the form of the fact that they were actively streaming at night, etc. So it’s hardly a hit, it’s just that Hybe has a payola scheme that they actively use and of course no one cares, because it’s much more important to say how bad MHJ is.
-
Have you seen their concert at the university? It’s not noticeable that they are popular, and even among children. In Korea they are very unpopular, but for all this, for some reason they are in the top.
-
Actually, it’s true, Fifty Fifty released a hit, but to be honest, they only found out about it half a year later. TWS flew into the charts from the first days, then evidence of payola was provided in the form of the fact that they were actively streaming at night, etc. So it’s hardly a hit, it’s just that Hybe has a payola scheme that they actively use and of course no one cares, because it’s much more important to say how bad MHJ is.
GLAD YOU BROUGHT THAT!!
TWS debuted on melon at around #200, purely supported by Seventeen's fandom and Pledis stans. Then the song slowly spreading mouth to mouth by children and teens, and Shinyu went viral several times on insta reels. And they only enter Melon top 10 D+20 debut and and top 5 D+22
External Content x.comContent embedded from external sources will not be displayed without your consent.Through the activation of external content, you agree that personal data may be transferred to third party platforms. We have provided more information on this in our privacy policy. -
-
Actually, it’s true, Fifty Fifty released a hit, but to be honest, they only found out about it half a year later. TWS flew into the charts from the first days, then evidence of payola was provided in the form of the fact that they were actively streaming at night, etc. So it’s hardly a hit, it’s just that Hybe has a payola scheme that they actively use and of course no one cares, because it’s much more important to say how bad MHJ is.
Charles from UK persistently fooling himself
External Content x.comContent embedded from external sources will not be displayed without your consent.Through the activation of external content, you agree that personal data may be transferred to third party platforms. We have provided more information on this in our privacy policy.External Content x.comContent embedded from external sources will not be displayed without your consent.Through the activation of external content, you agree that personal data may be transferred to third party platforms. We have provided more information on this in our privacy policy.External Content x.comContent embedded from external sources will not be displayed without your consent.Through the activation of external content, you agree that personal data may be transferred to third party platforms. We have provided more information on this in our privacy policy. -
Bro got beef with 4 months old rookie bfr
Anyways, thanks for thee views. Pls come again
External Content youtu.beContent embedded from external sources will not be displayed without your consent.Through the activation of external content, you agree that personal data may be transferred to third party platforms. We have provided more information on this in our privacy policy. -
GLAD YOU BROUGHT THAT!!
TWS debuted on melon at around #200, purely supported by Seventeen's fandom and Pledis stans. Then the song slowly spreading mouth to mouth by children and teens, and Shinyu went viral several times on insta reels. And they only enter Melon top 10 D+20 debut and and top 5 D+22
External Content x.comContent embedded from external sources will not be displayed without your consent.Through the activation of external content, you agree that personal data may be transferred to third party platforms. We have provided more information on this in our privacy policy.My favorite tales are about supporting the younger ones, this is already a standard practice to justify any payola, but I’m 100% sure that the support from the 17 fandom was scanty, they could listen to them a little, but for the group to stay at the top for several months. Funny. Their backs were revealed in the first week, when all the artists on Melon lost streaming at night, except for TWS, where it even grew.
-
Their backs were revealed in the first week, when all the artists on Melon lost streaming at night, except for TWS, where it even grew.
Why dont you go to digital gurus on digital thread ans ask them is it that weird? when actually it's not that fishy at all for a rising song but sure what makes you sleep at night even if you got beef with a literal 4 months rookie
-
They were the only group/artist that was gaining listeners on weekends and during South Korea asian cup matches where everyone else was losing listeners, even IU. Very sus.
-
-
-
-
Actually, it’s true, Fifty Fifty released a hit, but to be honest, they only found out about it half a year later. TWS flew into the charts from the first days, then evidence of payola was provided in the form of the fact that they were actively streaming at night, etc. So it’s hardly a hit, it’s just that Hybe has a payola scheme that they actively use and of course no one cares, because it’s much more important to say how bad MHJ is.
Incidentally TWS' song Unplugged Boy is from the person who wrote Cupid. I think if Plot Twist did not become a hit UB would have been floated.
Participate now!
Don’t have an account yet? Register yourself now and be a part of our community!
