Posts by rukia24

    I was using two devices to watch Kcon and BTS's concert (thinking it was the dismissal for his military service) but the legal platforms fell. Then watch Kcon for TXT. Why doesn't Big Hit use mediaplay to promote them? His performance was amazing, HIS AURA, ATTITUDES really reminded me of old school jpop groups and I even cried. They were guests no J01.


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    just to clarify you are saying BTS staff have been allocated to enhypen and BTS now have staffs who are more influential.

    and may I ask wdym by this sentence"(in the case of the staff who made orders to your friend for birthdays of BTS members)."

    Beomgyu said a long time ago that a friend/staff moved over to the BTS team, he said it on a broadcast. There was a fight between ermys and MOA about the quality and difference between the cakes given to members of BTS and TXT. An Army began to investigate because it seemed suspicious that on the birthday of ... (I don't remember the name) the cake was inadequate and in the live transmission the member said that it was not what he asked for, there it was discovered that some staff was bringing cakes from an acquaintance to advertise his business. About the former manager of BTS, if I'm not mistaken he was very close with V but it is said that he has another position as a security planner for the artists of Big Hit and Enhypen company but I have never seen him with TXT.

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    there was also a discussion because some Enhypen fans wanted to get us into trouble about the manager

    The staffs they had at the beginning have been promoted and allocated to other groups.

    TXT's staff has been with them since their inception. Beomgyu on a Vlive said that a TXT staff had to go with BTS.


    So I started to find out why the manager most loved by BTS is on the Enhypen staff? I deduce that the BTS staff is the problem, apparently they have changed most of the staff and have put people who are more influential with connections, but we all know that people like this do not add up because they only see the interests (in the case of the staff who made orders to your friend for birthdays of BTS members).

    It is true that girl groups are more accessible, but creating a brand where they are recognized is a bit difficult. In Latam the BTS brand is too strong, there are series that name them in their dialogues, influencers that mention them... it is common that you can see adult men, young people and children listening to their music without prejudice. It's really hard to see girl groups mentioned.

    Yeonjun works on his own personal and artistic brand, it doesn't depend so much on whether he has a big fandom behind him. His commercial dealings, his presence on instagram and tik Tok were generated by himself and not MOA. just look at the stage presence that is handled.


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    it all depends if Armys decide to buy the story that Big Hit wants to sell them. Let's be honest BH wanted to sell TXT as the successors of BTS but he was surprised by the hatred that arose from some. Now that iland has sold them, I suppose some of them are going to buy the story that Traine A can give them as well. I'm only going to say this once. Suga is the person who worked the hardest to give BTS great growth, although Nan, BanPD worked too. Suga as a producer since the beginning of his work with a base of his own history and the history of Korea. This new generation needs to speak its own story, not copy the story of others.


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    Now I think it's more difficult to become known as an artist, you have to have a large catalog of semi-successful or successful songs. But if you have a large group of fans then you are assured of reproduction, sales and streaming that does not mean that the PG loves the songs of your favorites. For me, the most impressive thing about BH is that it doesn't use those connections for TXT, we don't have playlists on Spotify, ads on YouTube, mediaplay in Korea, but its growth on Spotify, YouTube, melon is the same and on top of that, album sales in Japan, Korea, the United States are balanced. Adding to the fact that they are still on the charts in some countries, I was surprised that they are still on the chart in Germany. In Korea his popularity is balanced between 10, 20 and 30 years old and in China TXT has good reproductions of the 4th gen, in addition YEONJUN is the artist who has the most pre-orders of a C bar of the 4th

    The negative vibes that antis send to TXT is abnormal, we all know that they don't do anything bad to others. I feel like kpop right now everyone is so blind to the charts or their favorites being the best that they put music aside and focus on denigrating those they think is their competition, they make their favorites stressed and they don't enjoy it because of the pressure. Then we have TXT who can relate more to the opposite sex, everyone appreciates them because of their personalities, they do what they want and they can experience any genre of music without the need to satisfy their fans. I too would be envious of them.

    boy groups can make whatever music they want but very few groups can take a chance on the title track of their albums. I always hear b-sides are more interesting. But it's very difficult for fans to listen to music from less popular groups because they like competition or think only of competing for achievements. There is variety but we must also know how to search. These days I'm obsessed with these songs.



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