cause visuals are important in kpop
Posts by Everythingoes8
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ozuna is still very well known in latin america lmao. something you should know about latino artists is that they release tons of singles every year and most of them flop, they just wait for at least one of them to become a hit, so ozuna latest releases not doing well is not a surprise. btw, bad bunny is an special case, you shouldnt compare him with anybody
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i wonder if it will be in english cause the other songs were
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Oh yea, it's kinda went down Hill when another person left right? Oh, just checked out her MV. I am kinda shocked that her Butterfly Effect haven't reach 100k stream on youtube yet. This is wow.
it's kinda interesting how they/she started flopping after the least popular member left, one would think that it wouldnt make a difference sinche she barely had screen time or lines
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Lmao, look at genie right now
i admire his fans, wish k armys were as dedicated as them
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Anyway the point wasn’t to know exact numbers. It can indeed be lesser. But to say there are more Spotify listeners than melon indeed because Korea is small.
isn't that kinda obvious? ofc there is more spotify users hence more probabilities for a korean artists to have more monthly listeners than melon uls but that doesn't make korean acts bigger internationally
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Japanese music charts are full with a lot of rock bands and different genres as well, why do people forget those?
i wonder the same. i've been following japanese charts more lately and the amount of boy/girl groups (with some exceptions) on spotify/apple music top 100 is really small. the charts are basically rock or pop bands, soloists, yoasobi and bts lmao
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Korea is a tiny country. Life time Melon ULs for the biggest songs ever is 4-5mil when Spotify monthly listeners for EXO and RV are already higher than that. The statement EXO is successful in Korea is correct. The statement EXO is more successful in Korea than internationally is not. It’s just factually wrong. Any group that can get more than 4-5mil ULs on Spotify is already bigger internationally than in Korea because Korea is a tiny country.
If someone has more Melon ULs than Spotify for example maybe in the first month that would mean they’re bigger in Korea. This maybe true for aespa. Idk. But it’s certainly not true for EXO or RV for that matter.
that's a flawed argument cause melon is a korean music platforms whereas spotify is the most used music platform worldwide where we can't even know the uls for each song. success can't also be determined by monthly listeners because there's multiple factors that play into it such as playlisting or getting only one hit, there are artists that have like 20M ML, one song with over 500M and the rest can't even reach 5M and others with 10M but with many songs over 200M so it would just not be fair to make such comparisons.
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chicha
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people only say that because she's darker than the other korean members
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not a group but bolbbalgan4 in 2019 got three hits, a song that pulled +1M uls even after a week of being released (also blocked bp ktl), a bside with +900K uls and another single that got pak despite naver problem, then one member left the group and they started flopping
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i think there's nothing wrong if they change some small things since they're used to dance songs differently from female idols (i've watched some gg covers of bg and the difference is quite noticeable even for a non dancer like me) but if they're changing it because they think is too feminine? then yes, that's a problem
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whats the point of releasing their singles instrumentals
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i know, im not talking about them
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i need them to cover more songs!! 30 seconds wasnt enough
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yall are acting like boomers lmao. short songs have been a thing since forever. listening to old songs, specially from 60s, i noticed the songs are like super short less than three minutes long some even less than two but i suppose at that time it was because of radio, now is about streaming.
the problem is not about a songs length but its quality, many current songs just feel unfinished