The whole Yoo Heeyeol plagiarism circus appears to have slowed down.
However, it knocked out the most important venue for vocalists who continued to plague KPpp from within, and with his disgrace all the composers in late 1980s and early 1990s, whose firm grip on the vocalists maintained their relevance, are now being held with serious doubts.
Lee Jieun somehow escaped from this, again, although she has been accused, because she did not compose the songs which are being accused.
But she now stands alone, since all the singers being developed by the 80s-90s singers are now all undermined. Basically Lee Jieun's strategic position is no different from 2011 ; once again, she is the last vocalist standing
All the potential vocalists are now heading for Trot, which won't be a factor as far as the world is concerned. It is not hard for a Korean to learn trot-style vocals so transition from a vocalist to a trottist is not hard like Lim Youngwoong, who was a balladist to begin with.
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Even Melon, the hotbed for vocalists who undermined KPop for all these years, is now powerless against the 4th Generation.
Whoever raising the question about Yooheeyeol did a greater service to KPop than anyone else in this year. He probably saved KPop from being taken over by the vocalists and old jerks once again like 2014.
It seems KPop is now too big to be suffocated, and people like Yooheeyeol will have to lose their power completely to prevent attempting another Restoration of the Old Order.