Last time we had a nation's girl group they held the best selling album for years and had by far the biggest longevity among all kpop girl groups (and probably still do)
She's been always referred as one of the least popular members from 3rd gen, yet:
- Her OST song is killing it on the charts
- 2nd Highest charting OST right now. Surpassing Melomance (for now), Davichi, Jihyo, Bibi, Seventeen and a bunch of other artists that released OST songs recently
- She's all over variety shows
- Not Big4
She managed to do all that with shitty promotions and after leaving her former company. A queen indeed.
Content embedded from external sources will not be displayed without your consent.
Through the activation of external content, you agree that personal data may be transferred to third party platforms. We have provided more information on this in our privacy policy.
Content embedded from external sources will not be displayed without your consent.
Through the activation of external content, you agree that personal data may be transferred to third party platforms. We have provided more information on this in our privacy policy.
Insane how she even surpassed Melomance and Davichi's releases for the same Webtoon show
Content embedded from external sources will not be displayed without your consent.
Through the activation of external content, you agree that personal data may be transferred to third party platforms. We have provided more information on this in our privacy policy.
They really are making me feel the Apink-Miss A- Carly Rae Jepsen fantasy
Since my trainee days as a nugu kpop fan I noticed there has been ALWAYS a pattern in the industry: kpop songs are mostly 2 or 3 songs mashed up in order to make ALL the members perform (unlike american acts that are known for having filler members that never sing).
Sure, sometimes it stands out more but at the end of the day it's the same essence. Pretty much always the pre-chorus or bridge or dance break pops up with a weird-experimental beat:
Content embedded from external sources will not be displayed without your consent.
Through the activation of external content, you agree that personal data may be transferred to third party platforms. We have provided more information on this in our privacy policy.
Content embedded from external sources will not be displayed without your consent.
Through the activation of external content, you agree that personal data may be transferred to third party platforms. We have provided more information on this in our privacy policy.
Content embedded from external sources will not be displayed without your consent.
Through the activation of external content, you agree that personal data may be transferred to third party platforms. We have provided more information on this in our privacy policy.
But hey! Those are recent songs, but It isn't something particularly new. It has been A THING for years now:
Content embedded from external sources will not be displayed without your consent.
Through the activation of external content, you agree that personal data may be transferred to third party platforms. We have provided more information on this in our privacy policy.
Content embedded from external sources will not be displayed without your consent.
Through the activation of external content, you agree that personal data may be transferred to third party platforms. We have provided more information on this in our privacy policy.
But what's the big difference now? Why everything sound so chaotic that people call it revolutionary?
Well, it's simple: that old formula had way smoother and complex transitions. Now composers only take a bunch of weird beats and put them together with a talked rap to fill empty spaces.
No hate on Aespa though. I think their composers are doing a great work. As for Nmix and the new horde of "girl crush newbies" (IVE, Loona, Keepier and currently Itzy too), they are just copying what the flop IOI groups tried to do in the past: mixing a bunch of messy, bland and uninspired sounds and call it a day:
Content embedded from external sources will not be displayed without your consent.
Through the activation of external content, you agree that personal data may be transferred to third party platforms. We have provided more information on this in our privacy policy.
Content embedded from external sources will not be displayed without your consent.
Through the activation of external content, you agree that personal data may be transferred to third party platforms. We have provided more information on this in our privacy policy.
Content embedded from external sources will not be displayed without your consent.
Through the activation of external content, you agree that personal data may be transferred to third party platforms. We have provided more information on this in our privacy policy.
Content embedded from external sources will not be displayed without your consent.
Through the activation of external content, you agree that personal data may be transferred to third party platforms. We have provided more information on this in our privacy policy.
Content embedded from external sources will not be displayed without your consent.
Through the activation of external content, you agree that personal data may be transferred to third party platforms. We have provided more information on this in our privacy policy.
Anticipating that #1 spot, yass!!
StayC and Aespa really carrying the kpop industry with bops and saving us from JYP and Mnet's noise
Content embedded from external sources will not be displayed without your consent.
Through the activation of external content, you agree that personal data may be transferred to third party platforms. We have provided more information on this in our privacy policy.