Hybe uses 10+ producers for one song. Good or not?

They will end up like SM music direction. Too much unnecessary sound.

NewJeans had like 2 producers per track and they've hit it big, you can't generalise like this

Quote from Escapee from YG Dungeon (678)

You're actually reading the credits wrong. The first line is the producer. The next line is all the writers.

So the Le Sserafim tracks are produced by 13, with each track written by multiple writers.

The same is true of the TXT tracks. So Thursday's Child, the song, has 3 producers, with 21 (!) writers on the song. Most pop songs have a lot of writers, particularly if it's using a sample, and that's not just kpop songs. 21 is a lot tho.

You can usually see who has lyrics and who has compositions credits by looking at the Genius page.

https://genius.com/Tomorrow-x-…hild-has-far-to-go-lyrics

Or by looking at the KOMCA page, which will show you the Korean copyrights.

https://www.komca.or.kr/foreign2/eng/S01.jsp

A are the lyricists, C are the composers, Arr are the Arrangers, although I've found the Arrangers aren't always showing on the KOMCA page. There may be the same person duplicated in a specific credit dependent on how the copyrights are structured to reflect different countries, so they might be listed twice with one notation for ASCAP and another for Universal Publishing.

However, it looks like Big Hit may not be separating that out in skimming the credits?

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KOMCA doesn't provide A/C/AR when a non KOMCA songwriter is credited, it's always A/C and A changes into more composition, and C is more arrangement.

Korean Only/KOMCA only songs will have A/C/AR

It's some weird artifact about how they recognise royalties for outside KOMCA (Ie Foreign) participants.