IVE seen enough. aespa's window just slammed shut in Korea. IVE is back on top.

  • Who is the top girl group in Korea today? 28

    1. IVE (18) 64%
    2. aespa (10) 36%

    After silently observing how the balance of power has shifted over the past year, and after a 2025 we all generally agreed was fumbled by aespa in their indisputable failure to gain traction in the West, it seems like the dust has finally settled in the East.


    I give credit where it's due. IVE have reclaimed their top girl group spot from aespa and taken the empty throne left behind by NewJeans/NJZ.


    The biggest winners of all are Starship, with both IVE and KiiiKiii dominating the charts in Korea and blocking each other.


    Keep the throne warm until... the return of the Queens

  • Watch people say how aespa was blocked from No.1 by a full house nonsense when they laughed at Heya era


    Justice for Heya it's one of their most magical TTs that pre chorus is heavenly


    Less than 1 mil to 100 mil store juseyo


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  • Yeah that's bullshit and we all know it.


    aespa had an incredible 2024, the third most successful single year of any girl group this year (behind 2023 NewJeans and 2023 IVE) and then laid an egg in 2025. Their new songs didn't hit nearly as hard (Dirty Work is already charting below Hype Boy and Rich Man is next), they had a disastrous performance on Good Morning America, and then Karina's scandal.


    Everything was set up perfectly and SM swung and missed.


    IVE just stayed steady and consistent and have now capitalized.

  • aespa had an incredible 2024, the third most successful single year of any girl group this year (behind 2023 NewJeans and 2023 IVE)

    Actually Day6 Happy has better longevity it's a top 3 4th Gen GG song it's still charting in Melon Top 50, almost 30 positions higher.


    And it's released earlier than Supernova. Also, I AM and Hybe Boy are both charting higher than Supernova now


    Day6 is the biggest 4th Gen GG

  • I'm unconvinced. Are Dives just poor now b/c the album sales for Rivive have been less than convincing, especially for a full album. As for streams, their streams' peaks look comparable to Aespa's comebacks last year.


    Music-wise, kinda a bore with both groups as of late...

  • Because I think their style and songs don’t match Western tastes. It seems to me that Aespa is particularly more popular and more streamed in the U.S. and Europe. For example, isn’t Spotify mostly used by Western fans? I believe Spotify isn’t very popular in Asian countries like Japan or Singapore, but I could be wrong. Overall, I think IVE leads in sales in Asian countries. I saw this tweet, but I’m not sure if it gives an accurate impression because I don’t closely follow the numbers of both groups.


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  • Because I think their style and songs don’t match Western tastes. It seems to me that Aespa is particularly more popular and more streamed in the U.S. and Europe. For example, isn’t Spotify mostly used by Western fans? I believe Spotify isn’t very popular in Asian countries like Japan or Singapore, but I could be wrong. Overall, I think IVE leads in sales in Asian countries. I saw this tweet, but I’m not sure if it gives an accurate impression because I don’t closely follow the numbers of both groups.


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    if aespa is more popular in the u.s how come they never entered us spotify but ive has?

    i-didnt-hear-that-confused.gif

  • :meme-spit-water:


    You act like aespa is killing it in the West. They couldn't even break through the Bubbling Under Hot 100.


    Both groups don't do anything worth mentioning in terms of Western success.

    Aespa does a lot better than Ive though and on Spotify the gap is greater than the gap on Korean charts :?:


    Ive had always been a leading group in Korea but as people told me last week you can’t be a leading group overall if you’re not leading overall :suure:

  • Aespa does a lot better than Ive though and on Spotify the gap is greater than the gap on Korean charts :?:


    Ive had always been a leading group in Korea but as people told me last week you can’t be a leading group overall if you’re not leading overall :suure:

    I don't care. They're both fighting over a distant last place among the top tiers. They're not close to LSF, let alone HiatusJeans who just recently had the most streamed girl group album on Spotify a few days ago.


    Also this is about KOREA. Keep it simple, fa.


    Today IVE reigns supreme over aespa and KiiiKiii has surpassed H2H.


    Starship has won.

  • Because I think their style and songs don’t match Western tastes

    Yeah but what i mean is that i feel especially this comeback seems much more targeted for western taste based on the songs they chose and the visual of the mv that feels much more saturated and more mature than their more korean center mv like I am etc...


    But it doesn't seem to help them increase their international visibility


    They are also good seller internationally too but it just seems that streaming wise people doesn't follow


    And it feels genuinely weird cuz usually when a group have a really good year in korea, it translate to international fans

    But IVE doesn't seem to fit this rule


    So i'm wondering what Starship is doing wrong and could improve ?

  • Somehow, I don’t think Bang Bang really fits Western tastes. It’s not catchy enough. Western fans usually find songs through short, repetitive hooks on TikTok, Reels, or Twitter etc. and streaming follows trends on Spotify and Apple Music. Aespa’s songs fit this better, So casual kpop fans who aren’t really fans of either group are more exposed to Aespa than to IVE.

  • you weren’t talking about other groups originally but now bringing in other groups to prove a point :?:


    Let me make my point clearer! Lsfm might have better Spotify stats but they lack in Korean charting. Ive does well in Korean charting but massively like international stats! Aespa is the most balanced of both :!:


    The door can’t be shut if IVE isn’t leading in Korea by much?


    I mean Karina alone was peaking on kcharts and doing better numbers internationally :?: So how can doors be closed on aespa lol! Again as people said last week you can’t be a leading group if you’re only leading in one thing :oops: very pick and choosy!

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    KiiiKiii and H2H is the weakest argument lol! H2H literally have 3 songs charting in top 40 from different eras and have just come back and not started any promotions but still rising :?: I think a fairer judgement will be to wait at least 2 weeks to conclude! Give them the same grace period KiiiKiii received?


    From the same time interval it’s been RUDE! That’s done better than 404 though :/ Faster entering kcharts, faster at rising with higher peaks in a shorter time at a faster rate etc! Also better sales and international stats :suure:

  • fa, this thread is about Korea.


    Why did you type so many words about platforms and markets that have nothing to do with Korea?


    aespa and IVE are both D-Listers in the West and comparable in Japan, so I don't waste my time debating those markets.


    You need to let it go and accept the second place finish in both the 4th and 5th generation.


    Last week superyeah told me there is nothing wrong with being second. Let us believe in those words of wisdom.

  • Oh Yama this debate is finished ^^ you have no clapback for H2H and KiiiKiii! Not sure why you would randomly involve them lol I’m not ragebaited easily :!: similarly to brining in Lsfm to have to make a point :?:


    My original point is yes Ive is a leading group in Korea I don’t think anyone is opposed to that but no doors have been closed for aespa :?: peaking top 2 on kcharts doesn’t equate to closed doors especially when Karina’s solo was still achieving RAKS! The gap in Korea isn’t as big as their gap internationally either!

  • Oh Yama this debate is finished ^^ you have no clapback for H2H and KiiiKiii! Not sure why you would randomly involve them lol I’m not ragebaited easily :!: similarly to brining in Lsfm to have to make a point :?:


    My original point is yes Ive is a leading group in Korea I don’t think anyone is opposed to that but no doors have been closed for aespa :?: peaking top 2 on kcharts doesn’t equate to closed doors especially when Karina’s solo was still achieving RAKS! The gap in Korea isn’t as big as their gap internationally either!

    I don't see or acknowledge H2H until they rise to the top and prove they're the cream of the crop. Until then, the 5th generation belongs to KiiiKiii.


    As for the original point, the moment you typed "Yes" the discussion was concluded. The 4th generation doesn't have much time left, and now that NewJeans have been forced off their throne by the worst entertainment label in K-Pop, IVE have reclaimed their once unimpeachable position as a top two and now top one girl group in Korea.


    I've been in this hobby too long, and I'm too much of an analytical mind, not to know the signs of decline when I see them.


    aespa peaked high (2024) but not as high as IVE (2023) and now IVE has wrestled control of Korea back from them.

  • Mostly sounds like hypothetical assumptions as opposed to actual Facts and that’s because it’s not factual lol! A sign of decline doesn’t equal actual decline! Seems like you’re sprinting before you’ve walked for this statement :!:


    Anyways I said what I said! Aespa are not shut out lol :!: That’s a crazy statement to say but the girls seem to bounce back stronger when they’re undermined! And this H2H’s comeback is quite literally speaking for itself :/

  • Lol. Y'all hype up Ive way too much. This is another Rebel Heart-Attitude situation for them where the pre-release massively outperforms the title track. The only difference is that Bang Bang isn't doing as well as Rebel Heart. aespa has been ahead of Ive in every market since Armageddon era. And will outchart them this year as well. You don't need to make Ive vs aespa threads every couple months lmao. Aespa is clearly ahead of them.

  • Mostly sounds like hypothetical assumptions as opposed to actual Facts and that’s because it’s not factual lol! A sign of decline doesn’t equal actual decline! Seems like you’re sprinting before you’ve walked for this statement :!:


    Anyways I said what I said! Aespa are not shut out lol :!: That’s a crazy statement to say but the girls seem to bounce back stronger when they’re undermined! And this H2H’s comeback is quite literally speaking for itself :/

    I have experienced the rise and fall of many top girl groups. Contrary to what ISaidISaid rudely alluded to, I get it right more often than not.


    Objectively and factually speaking, aespa had a historically great 2024 and then followed it up with a so-so 2025, which left the door open.


    Now IVE have charged through that open door, kicked aespa out said door and slammed it shut.


    This is their Queendom now.


    I know I'm right.

  • Lol. Y'all hype up Ive way too much. This is another Rebel Heart-Attitude situation for them where the pre-release massively outperforms the title track. The only difference is that Bang Bang isn't doing as well as Rebel Heart. aespa has been ahead of Ive in every market since Armageddon era. And will outchart them this year as well. You don't need to make Ive vs aespa threads every couple months lmao. Aespa is clearly ahead of them.

    Did you just say I always hype up IVE too much? Me?


    icyruios

    :meme-do-you-see-this:

  • Yama you’re starting to sound like Mystic Meg lol :!: anyways well done to IVE! I hope Breakdown does better numbers than Bang Bang it’s the better song imo!

  • Yama you’re starting to sound like Mystic Meg lol :!: anyways well done to IVE! I hope Breakdown does better numbers than Bang Bang it’s the better song imo!

    I'm proud of how gracious you are in defeat. It's okay. Dives had to swallow their pride all of 2024. And I had to swallow mine last October.


    It happens to the best of us (me) so it can happen to the rest of us too.

    foreveraespaa clapping yama xD

    :meme-bugs-no:


    I'm just proud all the pro-aespa voters at least have the courage to defend their incorrect votes very publicly.

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