How are we feeling about Nmixx's first full album?
I think it's very good, definitely the best full album by a k-pop group I've heard in a while. It's hard for me to gauge though: The last full album I enjoyed this much was NCT 127's Walk, and that album's best cuts (Orange Seoul, Time Capsule, Rain Drop) are atmospheric and sophisticated in a way that is atypical of k-pop, whereas Nixx's whole thing is that they are stereotypically, maximally k-pop. And yet snippets of something more adult do shine through. I particularly like the subtly melancholy tones in parts of Blue Valentine and Shape of Love. I think these make good album bookends, which makes the inclusion of O.O at the end kind of puzzling. I wish they had saved this for a separate novelty mini (they could call it "uNmixxed"!).
I'm also not sold on Crush On You, which is very generic outside of its strangely unsettling and wrong-sound instrumental. Adore U is also kind of Day 6 coded in a way I don't appreciate - the guitar in the verses hint at something a bit 80s, something a bit 4ad, or Johnny Marr, or Edge, or the Mats, but then the chorus high melodrama in that very post Jae6 way. And while I'm complaining, I think the otherwise immaculate Shape of Love could have done with a Chorus B or at least a better changeup - I think they left some potential on the table, which is something I rarely feel for Nmix songs. I do love that song though, the chorus vocal melody brings to mind Kendrick Lamar's Love, which is a very nice thing to be reminded of.
Otherwise it's all positive: Podium sounds like a modernised Bangladesh production with an absolutely incredible vocal-heavy climax that has me ascending to heaven, the sliding vocal melody of Game Face is exploited to brain-ticklingly maximum potential, Rico's blend of various latin styles is genuinely insane, and the in-your-face cyberpunk hyperpop of Reality Hurts really does say eff you to yr mom.
I kind of wonder how they'll perform the chorus of the latter live though. There's a bit in Tool's song Third Eye where Maynard's scream digitally glitches and cuts in and out. iirc, when they played live, he would wave his hand in front of the microphone really fast lmao.
Overall it's probably not as overwhelmingly, uniformly great as Break or Forward, but for a full album, it's probably the best thing they could put out at this stage. I think they have better albums in them if they stay the course: Once they graduate to a more mature and emotional sound they'll be utterly unstoppable I think.
Anyway watchu think.