2020 was the Greatest Year of KPop

  • In my opinion 2020 was the greatest year of KPop since that year led to KPop finally breaking out from the cage, and it began to roam around the world.


    2024 was the worst year, but that will be discussed in another post.


    ===


    2020 was when the covid lockdowns began and concerts around the world ceased.


    It seemed that KPop was going to die as well.


    2020 had few hit songs. Only three songs, Zico's Any Song, The Owner of Edam Entertainment's Eight and BTS' Dynamite became hits. (OSTs and songs released through shows , like that song from Yoojaesuk, Rain and Lee Hyori, do not count.)


    Zico's Any Song, the Melon yearly #1, was a hit but Zico is not someone who is really influencing KPop.


    With covid the foreign promotion schedules of all acts basically ceased, and not losing any opportunity, the Owner of Edam Entertainment offered to work with a member of BTS, and Suga foolishly obliged.


    It almost undermined KPop to the point of no return.


    The Owner of Edam Entertainment , who always planned to undermine Kpop whenever she could, saw a golden opportunity to take over Kpop outright and kill it.


    Suga, whose actions eventually led all of BTS to be dragged to the military and lose its global domination forever, obliged, mostly to give El Capitxn, a Hybe producer who was mostly known for singing a line in "Friday", when the then-owner of Edam Entertainment was not an owner yet.


    The Owner of Edam Entertainment had profited immensely during the 2014 ferry incident and her Flower Bookmark, a remake of older songs, led her to the top again , people forgetting her most famous photograph with a fish.


    She judged that in 2020, when everyone was stuck at home, she would be able to retake the initiative of Kpop decisively, ending it and returning the ancient regime of ballads and only-for-Korea songs.


    It seemed the attempt to end Kpop by the Owner of Edam Entertainment, who took the traditional approach of her typical slower, sleepy song to tackle the era of lockdowns, was succeeding until Dynamite was released in Aug 2020.


    ====


    Dynamite was a truly revolutionary song.


    When everyone was kinda passive because of the lockdowns BTS's song gave energy and hope, and no matter what other people might say, Dynamite was the top song in the world in 2020, and probably the most influential song of Kpop history because it conquered the world and also it did not use a single word of Korean, opening the road for all-English songs in KPop and ending the relevance of the Owner of Edam Entertainment who is incapable of writing English lyrics.


    With Dynamite conquering the world, the Owner of Edam Entertainment had to scrap the plans to release another single in the autumn which would have put her back to the control seat of Korean Pop if Dynamite had not been released.


    What could have been the greatest tragedy of KPop turned into the greatest triumph of KPop history.


    The Owner of Edam Entertainment was outsmarted by the Owner of Hybe Entertainment.


    And, KPop was no longer a local fad but a global genre of music, influencing billions of people.


    If that does not make 2020 the greatest year of Kpop, what will?


    It was like Hannibal's battle of Cannae, or Napoleon's battle of Austrelitz, which ended the 800 years old Holy Roman Empire.


    BTS' domination of the world impressed the entire world, except the Owner of Edam Entertainment but she was now a footnote as BTS became the top act of the entire globe. The Owner of Edam Entertainment did not give up , but at that time she, along with virtually all artists not named BTS, were entering the back burner, and everyone in the world talked about BTS until about the middle of 2022.

  • 2020 got a lot great releases


    Dreamcatcher got their best songs during 2020

    Everglow got Ladida and Dun Dun, super bops

    NATURE got Girls, one of the most unique song I have ever heard

    Itzy released Wannabe. Still the best song by them

    aespa got Black Mamba, one of the best song by them

    IZ*ONE got 3 comebacks, Secret Story of Swan, was my favorite

    Blackpink got the first full Album!

    Gfriend Released MAGO, one of the best song by them.

    Twice got good songs as well I cant stop me and more & more

    Red Velvet sub unit Monster was also really good song

    Hwasa released Maria, the song was really good

    Loona also got Star, my favorite song by them

  • Also ... NiziU's "Make You Happy" and "Step and a Step"... Stray Kids God's Menu and Back Door .... The Boyz "Stealer" .....


    and of course, Hmph! by Chocome (sub-unit of WJSN)

  • Music wise, maybe, but overall? It was probably the worst year! I mean, COVID literally ruined everything.


    MAMAMOO was invited to Coachella, and it was canceled a couple of months later. Since then, RBW didn't give a flying fck about them anymore. And this is just one group, btw.

  • By your standards WhyKnock - shouldn't 2016, 2022 & 2023 the greatest years of Kpop?

    IU released no new music those years.

    2017 and 2024, must be the worst years. IU coming back with unreduced relevance.

  • 2023 was the last good year ....


    the 1st post-pandemic year, concerts and tours being back, the power of the monster rookie GGs (LSF, IVE, New Jeans, NMIXX), NiziU's Korean debut song "Heartris", Queencard, Baggy Jeans, VIVIZ/Yerin/Yuju and Seventeen's comebacks, RIIZE, BTS solo songs...


    Before all the drama/controversies of 2024...

    Yes but that is another topic


    2023 was when KPop lost the last remaining grounds

  • By your standards WhyKnock - shouldn't 2016, 2022 & 2023 the greatest years of Kpop?

    IU released no new music those years.

    2017 and 2024, must be the worst years. IU coming back with unreduced relevance.

    2024 was when she was seriously checked. 2017 is another topic.


    Eight almost ended KPop but Dynamite blasted the chains the Senior Singer had thrown away

  • 2024 was when she was seriously checked. 2017 is another topic.

    BIBI's BYG was indeed a feat, but when contrasted against a sold out world tour, proving that if not stadiums, IU can definitely sell out arenas even in the West, makes the check merely a trivia.

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